Even if surrounded with explanations, Auschwitz can never be grasped. — Günter Grass

"The creation of the Polish Corridor running from Upper Silesia to Danzig thus left East Prussia as a bleeding chunk of Germany between the Vistula and the Niémen. Was Danzig really a free city? Or was it actually a Polish captive? And was that also the true situation of East Prussia? To assert their claims, the Poles sought to monopolize the Danzig postal service; at the same time, they constructed a rival port, Gdynia, to divert commerce away from the Free City. Danzigers who wished to travel to Germany (including Prussia) required a Polish transit visa. The poisoned atmosphere generated by such petty sources of friction is well preserved in Günter Grasss Danzig trilogy, The Tin Drum, Cat and Mouse and Dog Years. It is no accident that the most memorable fictional personification of the German catastrophe, the stunted drummer Oscar Matzerath, is born in Danzig in 1924."

"I shall speak of … how melancholy and utopia preclude one another. How they fertilize one another … Of the revulsion that follows one insight and precedes the next … Of superabundance and surfeit. Of stasis and progress. And of myself, for whom melancholy and utopia are heads and tails of the same coin."

"Even bad books are books, and therefore sacred."

"We of the long tails! We of the presentient whiskers! We of the perpetually growing teeth! We, the serried footnotes to man, his proliferating commentary. We, indestructible!"