I have great hope for the E-revolution … Twitter and Facebook are marv — Hani Abbas

"The tools of oppression have evolved over two years of warfare, from the police baton to gas."

"I moved many times in Syria starting from March 2011 until December 2012 when I left. The last six months were very difficult to live under the bombs all the time. At that time, we would hear three sounds. The first was the sound of the shell when it was launched. The second was the sound of the shell above us in the sky. The third sound was the sound the of the explosion on the ground, or in a building. I was drawing all the time, but when I heard that first sound, I would lift my pencil and wait, thinking: ‘maybe this is my last drawing’. If I heard the third sound, that meant I was still alive. I’m lucky because I always heard all three sounds, but many thousands of Syrian people around me never heard the third sound."

"I’m only showing the harsh reality of the situation. I would love to show happy kids playing but this is not what is happening. At moments like these as I draw I am also crying."

"The future is mysterious,” he says. “Now we’re seeing an entire generation lost to war. My hopes for the future are not personal; they’re for my people. My hopes are for peace, and only for peace. I’m married to a Syrian woman and our son carries two nations in his heart."

"Imagine every piece you are painting could be your last piece, or maybe you will not be able to finish it. All those emotions and passion blended into me doing my best art at that time,"

"I’ve drawn other figures who have left everything else behind but take a window with them, because the window is their memory. I have my own ideas and feelings about the images, but I hope everyone who looks at them can see the effect of war on people."