"The worldly man lives in society, marries, establishes a family; Yoga prescribes absolute solitude and chastity The worldly man is “possessed” by his own life; the yogin refuses to “let himself live”; to continual movement, he opposes his static posture, the immobility of aasana; to agitated, unrhythmical, changing respiration, he opposes praanaayaama, and even dreams of holding his breath indefinitely; to the chaotic flux of psychomental life, he replies by “fixing thought on a single point,” the first step to that final withdrawal from the phenomenal world which he will obtain through pratyaahaara All of the yogic techniques invite to one and the same gesture—to do exactly the opposite of what human nature forces one to do From solitude and chastity to samyama, there is no solution of continuity The orientation always remains the same—to react against the “normal,” “secular,” and finally “human” inclination"
I prostrate in front of the memory of Mircea, my unforgettable friend. — Mircea Eliade
"I prostrate in front of the memory of Mircea, my unforgettable friend. I am, in my moments of sadness, obliged to those who have permitted me to say that we have loved him, admired him, respected him and that once more he, Mircea, does never cease to be missed spiritually and emotionally, by all of us. But his work, so rich, so immense, still exists."
Mircea Eliade was a Romanian historian of religion, fiction writer, philosopher, and professor at the University of Chicago. One of the most influential scholars of religion of the 20th century and interpreter of religious experience, he established paradigms in religious studies. His theory that hierophanies form the basis of religion, splitting the human experience of reality into sacred and pro
Mircea Eliade was a Romanian historian of religion, fiction writer, philosopher, and professor at the University of Chicago. One of the most influential scholars of religion of the 20th century and interpreter of religious experience, he established paradigms in religious studies. His theory that hierophanies form the basis of religion, splitting the human experience of reality into sacred and pro
View all quotes by Mircea EliadeMore by Mircea Eliade
View all →"In virtue of this, the artisan is a connoisseur of secrets, a magician; thus all crafts include some kind off initiation and are handed down by an occult tradition. He who makes real things is he who knows the secret of making them."
"For those to whom a stone reveals itself as sacred, its immediate reality is transmuted into supernatural reality. In other words, for those who have a religious experience all nature is capable of revealing itself as cosmic sacrality."
"The History of Religions is destined to play an important role in contemporary cultural life. This is not only because an understanding of exotic and archaic religions will significantly assist in a cultural dialogue with the representatives of such religions. It is more especially because … the history of religions will inevitably attain to a deeper knowledge of man. It is on the basis of such knowledge that a new humanism, on a world-wide scale, could develop."
"Psychoanalysis justifies its importance by asserting that it forces you to look to and accept reality. But what sort of reality? A reality conditioned by the materialistic and scientific ideology of psychoanalysis, that is, a historical product..."
"As long as you have not grasped that you have to die to grow, you are a troubled guest on the dark earth."
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View all →"The only influences in [the painting The sick Child, Munch painted in his elderly home, remembering very accurate the last days of his dying little sister Sophie] The sick Child.. ..were the ones that come from my home.. ..my childhood and my home. Only someone who knew the conditions at home could possibly understand why there can be no conceivable chance of any other place having played a part – my home is to my art as a midwife is to her children.. ..few painters have ever experienced the full grief of their subject as I did in The sick child. It was not just I who was suffering; it was all my nearest and dearest as well."
"There was a man and he had eight sons. Apart from that, he was nothing more than a comma on the page of History. Its sad, but thats all you can say about some people."
"Im very sad that this seems to be the No. 1 question people want to discuss. I had nothing to do with the issue other than what the media created. I was innocently drawn into the whole controversy. So, after many years, Im glad at least now that I have been given the opportunity to explain to the public and fans my side of the story in my own words. At a lecture, back in 1989, I was asked a question about blasphemy according to Islamic Law, I simply repeated the legal view according to my limited knowledge of the Scriptural texts, based directly on historical commentaries of the Quran. The next day the newspaper headlines read, "Cat Says, Kill Rushdie." I was abhorred, but what could I do? I was a new Muslim. If you ask a Bible student to quote the legal punishment of a person who commits blasphemy in the Bible, he would be dishonest if he didnt mention Leviticus 24:16."
"Rhymer, brawler, and musician, Famed for his lunar expedition, And the unnumbered duels he fought, — And lover also, — by interposition! — Here lies Hercule Savinien De Cyrano de Bergerac, Who was everything, yet was naught. I cry you pardon, but I may not stay; See, the moon-ray that comes to call me hence! I would not bid you mourn less faithfully That good, brave Christian: I would only ask That when my body shall be cold in clay You wear those sable mourning weeds for two, And mourn awhile for me, in mourning him."
"We must recognize that there is no indication that Saddam Hussein has any intention of relenting. So we have an obligation of enormous consequence, an obligation to guarantee that Saddam Hussein cannot ignore the United Nations. He cannot be permitted to go unobserved and unimpeded toward his horrific objective of amassing a stockpile of weapons of mass destruction."
"—musics power Is little felt in sunlit hour; But hear its voice when hopes depart, Like swallows, flying from the heart On which the summers late decline Has set a sadness and a sign;. . . . . . How deeply will the spirit feel The lute, the songs sweet-voiced appeal; And how the heart drink in their sighs As echoes they from Paradise."