If lust and hate is the candy — Natalie Merchant

"After spending nearly 20 years contracted to a major label, I have mixed feelings about their demise. These companies have profited immensely from your insatiable desire for listening and helped musicians for several decades to reach you. They grew fat and excessive. They exploited and they monopolized. They edited and censured. They’ve been rapidly losing their means of production, distribution and promotion to the internet. They have been economizing by dropping artists, cutting staff and folding into one another but they can’t keep up with the pace of disintegration. You might not have ever heard my name if Elektra Records hadn’t made me one of their artists for hire. I’m both grateful and resentful and you probably are too."

"It’s pretty obvious to everyone that the revolution has happened. The People can now easily cut out a hoard of middlemen (record companies, radio stations, music press and retail shops). With a series of computer strokes they can find the music they want to hear, become informed about the musicians who make it, find other people who share their interest and ultimately either buy, trade or steal that coveted sound."

"I don’t want to overdo discussing my experience of motherhood, its too private and profound to parade around. I will say that carrying a child, giving birth to a child and raising that child up has made me feel more engaged and connected to others. I have a greater understanding of people (living past & present). We all begin so pure, so innocent and so hungry for physical and emotional comfort. It’s so important that every baby be generously cherished, fed and comforted. I can see now how withholding these essentials can do irreparable damage. Now (post-baby) when I encounter a sad or aggressive character, I wonder what the first three years of his or her life were like. Imaging them alone, crying in their cribs has given me much more compassion."

"dont spread the discontent dont spread the lies dont make the same mistakes with your own life"

"dont talk, I will listen dont talk, you keep your distance Id rather hear some truth tonight than entertain your lies"

"I need a lullaby a kiss goodnight angel sweet love of my life o, I need this"

"At one point a heated discussion arose over the possible interpretation of Lolita as a grandiose metaphor of the classic Europeans hopeless love for young, seductive, barbaric America. In his afterword to the novel Nabokov himself mentions this as the naive theory of one of the publishers who turned the book down. And although there cant be the slightest doubt that Nabokov did not mean to limit Lolita to that interpretation, there is no reason to exclude it as one of the novels many dimensions. The point, I felt, became obvious when one drew the line between Lolita as a delightfully frivolous story on the verge of pornography and Lolita as a literary masterpiece, the only convincing love story of our century."

"Lovely food, for rabbits, that is."

"One makes mistakes; that is life. But it is never a mistake to have loved."

"[explaining to Ernie how April apologized to him] She just showed up at the factory, took off her coat, and begged me to take her. We made love in a way that Ive only ever seen in nature films."

"Love is always love, come whence it may. A heart that beats at your approach, an eye that weeps when you go away are things so rare, so sweet, so precious that they must never be despised."

"He was obeyed, yet he inspired neither love nor fear, nor even respect. He inspired uneasiness. That was it! Uneasiness. Not a definite mistrust — just uneasiness — nothing more. You have no idea how effective such a... a... faculty can be. He had no genius for organizing, for initiative, or for order even. That was evident in such things as the deplorable state of the station. He had no learning, and no intelligence. His position had come to him — why? Perhaps because he was never ill . . . He had served three terms of three years out there . . . Because triumphant health in the general rout of constitutions is a kind of power in itself."