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"Modernistic-Abstractionist-Art... consists of 75% explanation and 25% God knows what!"
M
Maxfield Parrish"It is generally admitted that the most beautiful qualities of a color are in its transparent state, applied over a white ground with the light shining through the color. A modern Kodachrome is a delight when held up to the light with color luminous like stained glass. So many ask what is meant by transparent color, as though it were some special make. Most all color an artist uses is transparent: only a few are opaque, such as vermillion, cerulean blue, emerald green, the ochres and most yellows, etc. Colors are applied just as they come from the tube, the original purity and quality is never lost: a purple is pure rose madder glowing through a glaze of pure blue over glaze, or vice versa, the quality of each is never vitiated by mixing them together. Mix a rose madder with white, let us say, and you get a pink, quite different from the original madder, and the result is a surface color instead of a transparent one, a color you look on instead of into. One does not paint long out of doors before it becomes apparent that a green tree has a lot of red in it. You may not see the red because your eye is blinded by the strong green, but it is there never the less. So if you mix a red with the green you get a sort of mud, each color killing the other. But by the other method. when the green is dry and a rose madder glazed over it you are apt to get what is wanted, and have a richness and glow of one color shining through the other, not to be had by mixing. Imagine a Rembrandt if his magic browns were mixed together instead of glazed. The result would be a kind of chocolate. Then too, by this method of keeping colors by themselves some can be used which are taboo in mixtures."
Maxfield Parrish was an American painter and illustrator active in the first half of the 20th century. His works featured distinctive saturated hues and idealized neo-classical imagery. The National Museum of American Illustration deemed his painting Daybreak (1922) to be the most successful art print of the 20th century.
"Modernistic-Abstractionist-Art... consists of 75% explanation and 25% God knows what!"
"Thank you for allowing me to use colors as rich and deep as you please. I had always wanted to do so, yet was never allowed because of the color capabilities of our lithographers today. Now that I have done it, I dont think Ill ever go back."
"In 1925 it was estimated that one out of every five American homes had a Parrish print on its wall. He was, and still remains the most reproduced artist in the history of art."
"There is an implied warranty that a commissioned work should last a lifetime. There is to be no charge."
"I dont know what people find or like in me, Im hopelessly commonplace! ... Current appreciation of my work is a bit "highbrow", Ive always considered myself a popular artist."
"Maxfield Parrish was certainly one of our most prominent illustrators and hardly a home in America existed that didn’t have a Maxfield Parrish print. I’m an illustrator. Maxfield Parrish was a painter-illustrator. He was in the Golden Age of Illustration. When I was in art school I admired him. He was one of my gods."
"Dave Foley: I once shot a man just to watch him die, then I got distracted and missed it. Oh my friends tried to describe it to me, but it just isnt the same."
"Sharon Tate was my best friend. Once, we were roommates. She introduced me to my husband. She was the godmother to my baby daughter who is named for her. In the six years time that I knew her, she never said an unkind word about anyone."
"Is it so small a thing To have enjoy’d the sun, To have lived light in the spring, To have loved, to have thought, to have done; To have advanc’d true friends, and beat down baffling foes?"
"I cant play games. I have friends, older women, who tell me Im foolish to let Roman know how deeply I care about him. They tell me all sorts of things like "keep a man guessing", "men become bored with too much devotion". They tell me I am being foolish. Well, foolish I am."
"I guess you could say that I was somewhat withdrawn from my classmates. I spent a good deal of time being a loner. I suppose that had something to do with the way we lived — always on the move, never living in one town very long. Its very hard to make lasting friendships that way. And my father was rather strict with me and my two younger sisters. He insisted on proper behaviour and very often vetoed our choices of boyfriends. There was always a curfew whenever my sisters or I would go out on a date — we had to be home on time or else. But I never resented his authority. In fact, Im thankful for my strict upbringing; I feel it has helped me learn discipline — and thats very important in this business."
"You blessed my life! Never on me had rested womans love. My mother even could not find me fair: I had no sister; and, when grown a man, I feared the mistress who would mock at me. But I have had your friendship — grace to you A womans charm has passed across my path."