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It was Elaine de Kooning who perhaps best described the nature of Abst — Abstract expressionism

"It was Elaine de Kooning who perhaps best described the nature of Abstract Expressionism when she wrote: The main difference, then, between abstract and non-abstract art is that the abstract artists does not have to choose a subject. But whether or not he chooses, he always ends up with one."
It was Elaine de Kooning who perhaps best described the nature of Abstract Expressionism when she wrote: The main differ
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Abstract expressionism
Abstract expressionism
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Abstract expressionism in the United States emerged as a distinct art movement in the aftermath of World War II and gained mainstream acceptance in the 1950s, a shift from the American social realism of the 1930s influenced by the Great Depression and Mexican muralists. The term was first applied to American art in 1946 by the art critic Robert Coates. Key figures in the New York School, which was

About Abstract expressionism

Abstract expressionism in the United States emerged as a distinct art movement in the aftermath of World War II and gained mainstream acceptance in the 1950s, a shift from the American social realism of the 1930s influenced by the Great Depression and Mexican muralists. The term was first applied to American art in 1946 by the art critic Robert Coates. Key figures in the New York School, which was

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"If the label Abstract Expressionism means anything, it means painterliness: loose, rapid handling, or the look of it; masses that blotted and fused instead of shapes that stayed distinct; large and conspicuous rhythms; broken color, uneven saturations or densities of paint, exhibited brush, knife, of finger marks – in short, a constellation of qualities like those defined by Heinrich Wölfflin when he extracted his notion of Malerische [= Painterliness ] from Baroque art."
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Abstract expressionism