SHAWORDS

Life seemed to be an educators practical joke in which you spent the f — Russell Baker

"Life seemed to be an educators practical joke in which you spent the first half learning and the second half learning that everything you learned in the first half was wrong."
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Russell Baker
Russell Baker
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Russell Wayne Baker was an American journalist, narrator, writer of Pulitzer Prize-winning satirical commentary and self-critical prose, and author of Pulitzer Prize-winning autobiography Growing Up (1983). He was a columnist for The New York Times for 36 years, and hosted eleven seasons of the PBS show Masterpiece Theatre. The Forbes Media Guide Five Hundred, 1994 stated: "Baker, thanks to his si

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"Being solemn has almost nothing to do with being serious, but on the other hand, you cant go on being adolescent forever, unless you are in the performing arts, and anyhow most people cant tell the difference. In fact, though Americans talk a great deal about the virtue of being serious, they generally prefer people who are solemn over people who are serious. In politics, the rare candidate who is serious, like Adlai Stevenson, is easily overwhelmed by one who is solemn, like General Eisenhower. This is probably because it is hard for most people to recognize seriousness, which is rare, especially in politics, but comfortable to endorse solemnity, which is as commonplace as jogging. Jogging is solemn. Poker is serious. Once you grasp that distinction, you are on your way to enlightenment."
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Russell Baker
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"Americans dont like plain talk anymore. Nowadays they like fat talk. Show them a lean, plain word that cuts to the bone and watch them lard it with thick greasy syllables front and back until it wheezes and gasps for breath as it comes lumbering down upon some poor threadbare sentence like a sack of iron on a swayback horse. "Facilitate" is typical of the case. A generation ago only sissies and bureaucrats would have said "facilitate" in public. Nowadays we are a nation of "facilitate" utterers. "Facilitate" is nothing more than a gout-ridden, overstuffed "ease." Why has "ease" fallen into disuse among us? It is a lovely little bright snake of a word which comes hissing quietly off the tongue and carries us on, without fuss and French horns, to the object which is being eased. This is English at its very best. Easing is not one of the great events of life; it does not call for Beethoven; it is not an idea to get drunk on, to wallow in, to engage in multiple oleaginous syllabification until it becomes a pompous ass of a word like "facilitate."
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Russell Baker
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"No less a philosopher than Chief Justice Burger was outraged by Ellsbergs publication of classified documents. They belonged to the Government, Burger reasoned, and Ellsberg had no more right to give them to the people than he would have to filch another mans property off a taxicab seat. The Government, of course, commonly leaks classified documents when it deems publication convenient to manipulate public opinion to its advantage. Only the Government, it seems, has a legal right to manipulate opinion with hot documents."
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Russell Baker
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"I went to the Rayburn Building the other day on trifling business. It was an appalling experience. I had forgotten how preposterous the thing is with its pretentious megatonnage of rock and steel spreading acre after acre down the slope of Capitol Hill in sullen defiance to eternity and man. It dwarfs the forum of the Caesars. Mussolini would have wept in envy. Inside, one is compelled to dwell upon the insignificance of humanity. Not a single tiny wisp of beauty, nothing that is graceful, or charming, or eccentric, or human presents itself to the senses. Trying to imagine Clay and Webster in this celebration to the death of the spirit, erected to the glory that was Congress, is an exercise in comic despair. What do we have? Banks of stainless-steel elevators. Miracles of plumbing. Corridors of cemetery marble stretching to far horizons under the most artificial light millions of dollars can create, a light that abides no shadow, grants no privacy, tolerates nothing that is interesting in the slightest degree. Occasionally a small figure appeared in the distance, grew larger, then larger, then assumed human proportion, then passed and became smaller, and smaller, and smaller. Two ants had passed in a pyramid."
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Russell Baker

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"If it fulfills our hopes, this center will be, at once, a symbol and a reflection and a hope. It will symbolize our belief that the world of creation and thought are at the core of all civilization. Only recently in the White House we helped commemorate the 400th anniversary of Shakespeare. The political conflicts and ambitions of his England are known to the scholar and to the specialist. But his plays will forever move men in every corner of the world. The leaders that he wrote about live far more vividly in his words than in the almost forgotten facts of their own rule. Our civilization, too, will largely survive in the works of our creation. There is a quality in art which speaks across the gulf dividing man from man and nation from nation, and century from century. That quality confirms the faith that our common hopes may be more enduring than our conflicting hostilities. Even now men of affairs are struggling to catch up with the insights of great art. The stakes may well be the survival of civilization. The personal preferences of men in government are not important--except to themselves. However, it is important to know that the opportunity we give to the arts is a measure of the quality of our civilization. It is important to be aware that artistic activity can enrich the life of our people, which really is the central object of Government. It is important that our material prosperity liberate and not confine the creative spirit."
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Lyndon B. Johnson
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"I did not go to join Kurtz there and then. I did not. I remained to dream the nightmare out to the end, and to show my loyalty to Kurtz once more. Destiny. My destiny! Droll thing life is — that mysterious arrangement of merciless logic for a futile purpose. The most you can hope from it is some knowledge of yourself — that comes too late — a crop of unextinguishable regrets. I have wrestled with death. It is the most unexciting contest you can imagine. It takes place in an impalpable grayness, with nothing underfoot, with nothing around, without spectators, without clamor, without glory, without the great desire of victory, without the great fear of defeat, in a sickly atmosphere of tepid skepticism, without much belief in your own right, and still less in that of your adversary. If such is the form of ultimate wisdom, then life is a greater riddle than some of us think it to be. I was within a hairs-breadth of the last opportunity for pronouncement, and I found with humiliation that probably I would have nothing to say. This is the reason why I affirm that Kurtz was a remarkable man. He had something to say. He said it. Since I had peeped over the edge myself, I understand better the meaning of his stare, that could not see the flame of the candle, but was wide enough to embrace the whole universe, piercing enough to penetrate all the hearts that beat in the darkness. He had summed up — he had judged. The horror! He was a remarkable man. After all, this was the expression of some sort of belief; it had candor, it had conviction, it had a vibrating note of revolt in its whisper, it had the appalling face of a glimpsed truth — the strange commingling of desire and hate."
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Heart of Darkness