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"And pray, what in sea language is meant by a ship?"
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Patrick O'Brian"“Other peoples marriages are a perpetual source of amazement.”"
Patrick O'Brian, born Richard Patrick Russ, was an English novelist and translator, best known for his Aubrey–Maturin series. These sea novels are set in the Royal Navy during the Napoleonic Wars and centre on the friendship of the English naval captain Jack Aubrey and the Irish–Catalan physician Stephen Maturin. The 20-novel series, the first of which is Master and Commander, is known for its wel
"And pray, what in sea language is meant by a ship?"
"Jack,you have debauched my sloth."
"Come," he said, taking her by the hand and leading her to a distant sopha, "come and sit by me, and let us talk of bats."
"... He is not very sharp in some ways; and in his simple view of the world, paederasts are dangerous only to powder-monkeys and choir boys, or to those epicene creatures that are to be found in Mediterranean brothels. I made circuitous attempt at enlightening him a little, but he looked very knowing and said, Dont tell me about rears and vices; I have been in the Navy all my life."
"“This short watch that is about to come, or rather these two short watches--why are they called dog watches? Where, heu, heu, is the canine connection?"
"My God, oh my God," he said. "Six hundred men."
"I say this to you because we Spaniards are a forgetful people, because we are used to living for the moment, because we do not look back, because we do not know how to see the chain of heroes, because we do not contemplate the sum of sacrifices."
"If it fulfills our hopes, this center will be, at once, a symbol and a reflection and a hope. It will symbolize our belief that the world of creation and thought are at the core of all civilization. Only recently in the White House we helped commemorate the 400th anniversary of Shakespeare. The political conflicts and ambitions of his England are known to the scholar and to the specialist. But his plays will forever move men in every corner of the world. The leaders that he wrote about live far more vividly in his words than in the almost forgotten facts of their own rule. Our civilization, too, will largely survive in the works of our creation. There is a quality in art which speaks across the gulf dividing man from man and nation from nation, and century from century. That quality confirms the faith that our common hopes may be more enduring than our conflicting hostilities. Even now men of affairs are struggling to catch up with the insights of great art. The stakes may well be the survival of civilization. The personal preferences of men in government are not important--except to themselves. However, it is important to know that the opportunity we give to the arts is a measure of the quality of our civilization. It is important to be aware that artistic activity can enrich the life of our people, which really is the central object of Government. It is important that our material prosperity liberate and not confine the creative spirit."
"There was a man and he had eight sons. Apart from that, he was nothing more than a comma on the page of History. Its sad, but thats all you can say about some people."
"Children must be free to think in all directions irrespective of the peculiar ideas of parents who often seal their childrens minds with preconceived prejudices and false concepts of past generations. Unless we are very careful, very careful indeed, and very conscientious, there is still great danger that our children may turn out to be the same kind of people we are."
"I hear people say I swing at bad pitches. What is a bad pitch? If I can hit it, its not a bad pitch."
"A free people will always refuse to put up with preventable poverty. If freedom is to be saved and enlarged, poverty must be ended. There is no other solution. The problem of how to prevent these three forces from coming into head-on collision is the principal study of the more politically conscious Conservative leaders. How can wealth persuade poverty to use its political freedom to keep wealth in power? Here lies the whole art of Conservative politics in the twentieth century."