"1. Artists are exploring language to create acces to ways of seeing."
The art-area appears to present propositions which are genealogically — Art-Language
"The art-area appears to present propositions which are genealogically untraceable; any attempted systemization would be based on inference. (Inquiry into the sustaining framework of art really needs to be moved from the descriptive to the revisionary stage)."

Art-Language: The Journal of Conceptual Art (1969-1985) was a magazine published by the conceptual artists of Art & Language. Involving more than 20 artists in the United States, Europe, and Australia, and covering almost 20 years production, it is one of the most extensive artworks of conceptual art and is regarded as an important influence on both conceptual art and contemporary art.I don't unde
Art-Language: The Journal of Conceptual Art (1969-1985) was a magazine published by the conceptual artists of Art & Language. Involving more than 20 artists in the United States, Europe, and Australia, and covering almost 20 years production, it is one of the most extensive artworks of conceptual art and is regarded as an important influence on both conceptual art and contemporary art.I don't unde
1969–1985
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View all →"3. Participating in a dialogue gives the viewer a new significance; rather than listening, he becomes involved in reproducing and inventing part of that dialogue."
"1. Conceptual artists are mystics rather than rationalists. They leap to conclusions that logic cannot reach."
"The question of recognition is a crucial one here. There has been a constantly developping series of methods throughout the evolution of the art whereby the artist has attempted to construct various devices to ensure that his intention to count the object as an art object is recognised. This has not always been given within the object itself."
"There appears to be no real relation of artist to art-object: and this notwithstanding the prospect of a clear account of verification; demontsration would still be difficult, and a clear purporting to describe the way something comes about would not ameliorate the situation. There would still be priority problems."
"... the first Cubist painting might be said to have attempted to evince some outlines as to what visual art is, whilst, obviously, being held out as a work of visual art. But the difference here is one of what shall be called the form of the work. Initially what conceptual art seems to be doing is questioning the condition that seems to rigidly govern the form of visual art -that visual art remains visual."