The only director who does not move either his camera or his actors ve — John Ford

"I only met John Ford once. On the steps of MGM one evening. We were introduced by mutual friends. People spend a lot of time comparing my work to his. Most of thats bullshit. First of all, I dont like most of his later films. I love The Informer and Grapes of Wrath and—what was that other one?—Tobacco Road. His best Western is . Fonda was sensational in that. I hated . I loved the book but I thought the movie was shit. But I suppose he didnt like much of what I did, either. I think were very different."

"I think "laconic" is a good word for John Ford and for his technique of direction. No big deal about communication with John. Terse, pithy, to the point. Very Irish, a dark personality, a sensitivity which he did everything to conceal, but once he said to me while I was doing a scene with Ray Massey, "Make it scan, Mary." And I said to myself, "Aha! I know you now!"."

"Very early, I was a film buff.... I learned from everything. You learn for just meeting John Ford."

"Sometimes Ford failed to grasp the meaning of a question that a European director, or American directors like Elia Kazan, Richard Brooks, , or would have had no trouble assimilating. For example: How do you direct your actors? Ford couldnt understand the rationale for such a question. It seemed truly odd to him. Not dumb--like the radio journalist who asked him about "Fantastic Ride" [La Chevauchee fantastique is the French release title of Stagecoach]--but odd, and he didnt know what to answer. Since he was physically rather intimidating, with his one eye that seemed to peer deep inside of you and his piratelike countenance, even the bold could easily get flustered."

"Do you know that Eugene ONeill loved [(1940), based on a cycle of ONeills one-act sea plays]? Every month he had a print screened for him. Its a little thing that made me very proud of this picture."

"He didnt direct you. He never told you what to do. He would talk to you, mostly about something completely different, and you find yourself doing the right thing. It was really very spooky—what he did."