"Review of The Only Girl in the Game by David L. Vineyard"
Up with life. Stamp out all small and large indignities. Leave everyon — John D. MacDonald
"Up with life. Stamp out all small and large indignities. Leave everyone alone to make it without pressure. Down with hurting. Lower the standard of living. Do without plastics. Smash the servo-mechanisms. Stop grabbing. Snuff the breeze and hug the kids. Love all love. Hate all hate."
John Dann MacDonald was an American writer of novels and short stories. He is known for his thrillers. A prolific author of crime and suspense novels, many set in his adopted home of Florida, he was one of the most successful American novelists of his time. MacDonald sold an estimated 70 million books. His best-known works include the popular and critically acclaimed Travis McGee series and his 19
John Dann MacDonald was an American writer of novels and short stories. He is known for his thrillers. A prolific author of crime and suspense novels, many set in his adopted home of Florida, he was one of the most successful American novelists of his time. MacDonald sold an estimated 70 million books. His best-known works include the popular and critically acclaimed Travis McGee series and his 19
View all quotes by John D. MacDonaldMore by John D. MacDonald
View all →"Now it stands to reason, mister, any damn fool stares into the sun long enough, hell end up seeing exactly what some other damn fool tells him hes going to see."
"Were all children. We invent the adult facade and don it and try to keep the buttons and the medals polished. Were all trying to give such a good imitation of being an adult that the real adults in the world wont catch on. Each of us takes up the shticks that compose the adult image we seek. Id gone the route of lazy, ironic bravado, of amiable, unaffiliated insouciance. Tinhorn knights of a stumbling from Rent-A-Steed, maybe with one little area of the heart so pinched, so parched, I never dared let anything really lasting happen to me. Or dared admit the flaw... The adult you pretend to be convinces himself that the risk is worth the game, the game worth the risk. Tells himself the choice of life style could get him killed — on the Daytona track, in the bull ring, falling from the raw steel framework forty stories up, catching a rodeo hoof in the side of the head. Adult pretenses are never a perfect fit for the child underneath, and when there is the presentiment of death, like a hard black light making panther eyes glow in the back of the cave, the cry is, "Mommy, mommy, mommy, its so dark out there, so dark and so forever."
"These are the playmate years, and they are demonstrably fraudulent. The scene is reputed to be acrawl with adorably amoral bunnies to whom sex is a pleasant social favor. The new culture. And they are indeed present and available, in exhausting quantity, but there is a curious tastelessness about them. A woman who does not guard and treasure herself cannot be of much value to anyone else. They become a pretty little convenience, like a guest towel. And the cute little things they say, and their dainty little squeals of pleasure and release are as contrived as the embroidered initials on the guest towels. Only a woman of pride, complexity and emotional tension is genuinely worthy of the act of love, and there are only two ways to get yourself one of them. Either you lie, and stain the relationship with your own sense of guile, or you accept the involvement, the emotional responsibility, the permanence she must by nature crave. I love you can be said only two ways."
"I think there is some kind of divine order in the universe. Every leaf on every tree in the world is unique. As far as we can see, there are other galaxies, all slowly spinning, numerous as the leaves in the forest. In an infinite number of planets, there has to be an infinite number with life forms on them. Maybe this planet is one of the discarded mistakes. Maybe its one of the victories. Well never know."
"Bibliography at Fantastic Fiction"
More on Love
View all →"At one point a heated discussion arose over the possible interpretation of Lolita as a grandiose metaphor of the classic Europeans hopeless love for young, seductive, barbaric America. In his afterword to the novel Nabokov himself mentions this as the naive theory of one of the publishers who turned the book down. And although there cant be the slightest doubt that Nabokov did not mean to limit Lolita to that interpretation, there is no reason to exclude it as one of the novels many dimensions. The point, I felt, became obvious when one drew the line between Lolita as a delightfully frivolous story on the verge of pornography and Lolita as a literary masterpiece, the only convincing love story of our century."
"Lovely food, for rabbits, that is."
"One makes mistakes; that is life. But it is never a mistake to have loved."
"[explaining to Ernie how April apologized to him] She just showed up at the factory, took off her coat, and begged me to take her. We made love in a way that Ive only ever seen in nature films."
"Love is always love, come whence it may. A heart that beats at your approach, an eye that weeps when you go away are things so rare, so sweet, so precious that they must never be despised."
"He was obeyed, yet he inspired neither love nor fear, nor even respect. He inspired uneasiness. That was it! Uneasiness. Not a definite mistrust — just uneasiness — nothing more. You have no idea how effective such a... a... faculty can be. He had no genius for organizing, for initiative, or for order even. That was evident in such things as the deplorable state of the station. He had no learning, and no intelligence. His position had come to him — why? Perhaps because he was never ill . . . He had served three terms of three years out there . . . Because triumphant health in the general rout of constitutions is a kind of power in itself."