SHAWORDS

When all men have made themselves equal, we shall be forced to unite." — Henri Barbusse

"When all men have made themselves equal, we shall be forced to unite." "And therell no longer be appalling things done in the face of heaven by thirty million men who dont wish them." It is true, and there is nothing to reply to it. What pretended argument or shadow of an answer dare one oppose to it — "Therell no longer be the things done in the face of heaven by thirty millions of men who dont want to do them!" Such is the logic that I hear and follow of the words, spoken by these pitiful fellows cast upon the field of affliction, the words which spring from their bruises and pains, the words which bleed from them. Now, the sky is all overcast. Low down it is armored in steely blue by great clouds. Above, in a weakly luminous silvering, it is crossed by enormous sweepings of wet mist. The weather is worsening, and more rain on the way. The end of the tempest and the long trouble is not yet."
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Henri Barbusse
Henri Barbusse
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Henri Barbusse was a French novelist, short story writer, journalist, poet and political activist. He began his literary career in the 1890s as a Symbolist poet and continued as a neo-Naturalist novelist; in 1916, he published Under Fire, a novel about World War I based on his experience which is described as one of the earliest works of the Lost Generation movement or as the work which started it

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"I had seen Jesus Christ on the margin of the lake. He came like an ordinary man along the path. There is no halo round his head. He is only disclosed by his pallor and his gentleness. Planes of light draw near and mass themselves and fade away around him. He shines in the sky, as he shone on the water. As they have told of him, his beard and hair are the color of wine. He looks upon the immense stain made by Christians on the world, a stain confused and dark, whose edge alone, down on His bare feet, has human shape and crimson color. In the middle of it are anthems and burnt sacrifices, files of hooded cloaks, and of torturers, armed with battle-axes, halberds and bayonets; and among long clouds and thickets of armies, the opposing clash of two crosses which have not quite the same shape. Close to him, too, on a canvas wall, again I see the cross that bleeds. There are populations, too, tearing themselves in twain that they may tear themselves the better; there is the ceremonious alliance, "turning the needy out of the way," of those who wear three crowns and those who wear one; and, whispering in the ear of Kings, there are gray-haired Eminences, and cunning monks, whose hue is of darkness. I saw the man of light and simplicity bow his head; and I feel his wonderful voice saying: "I did not deserve the evil they have done unto me." Robbed reformer, he is a witness of his names ferocious glory. The greed-impassioned money-changers have long since chased Him from the temple in their turn, and put the priests in his place. He is crucified on every crucifix."
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Henri Barbusse
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"The universal problem into which modern life, as well as past life, rushes and embroils and rends itself, can only be dispersed by a universal means which reduces each nation to what it is in truth; which strips from them all the ideal of supremacy stolen by each of them from the great human ideal; a means which, raising the human ideal definitely beyond the reach of all those immoderate emotions, which shout together "Mine is the only point of view," gives it at last its divine unity. Let us keep the love of the motherland in our hearts, but let us dethrone the conception of Motherland. I will say what there is to say: I place the Republic before France. France is ourselves. The Republic is ourselves and the others. The general welfare must be put much higher than national welfare, because it is much higher."
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Henri Barbusse
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"Already there is uneasy hesitation in these castaways discussion of their tragedy, in the huge masterpiece of destiny that they are roughly sketching. It is not only the peril and pain, the misery of the moment, whose endless beginning they see again. It is the enmity of circumstances and people against the truth, the accumulation of privilege and ignorance, of deafness and unwillingness, the taken sides, the savage conditions accepted, the immovable masses, the tangled lines. And the dream of fumbling thought is continued in another vision, in which everlasting enemies emerge from the shadows of the past and stand forth in the stormy darkness of to-day."
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Henri Barbusse
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"We shall say to ourselves," says one, "After all, why do we make war? We dont know at all why, but we can say who we make it for. We shall be forced to see that if every nation every day brings the fresh bodies of fifteen hundred young men to the God of War to be lacerated, its for the pleasure of a few ringleaders that we could easily count; that if whole nations go to slaughter marshaled in armies in order that the gold-striped caste may write their princely names in history, so that other gilded people of the same rank can contrive more business, and expand in the way of employees and shops — and we shall see, as soon as we open our eyes, that the divisions between mankind are not what we thought, and those one did believe in are not divisions."
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Henri Barbusse

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"The only influences in [the painting The sick Child, Munch painted in his elderly home, remembering very accurate the last days of his dying little sister Sophie] The sick Child.. ..were the ones that come from my home.. ..my childhood and my home. Only someone who knew the conditions at home could possibly understand why there can be no conceivable chance of any other place having played a part – my home is to my art as a midwife is to her children.. ..few painters have ever experienced the full grief of their subject as I did in The sick child. It was not just I who was suffering; it was all my nearest and dearest as well."
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"Im very sad that this seems to be the No. 1 question people want to discuss. I had nothing to do with the issue other than what the media created. I was innocently drawn into the whole controversy. So, after many years, Im glad at least now that I have been given the opportunity to explain to the public and fans my side of the story in my own words. At a lecture, back in 1989, I was asked a question about blasphemy according to Islamic Law, I simply repeated the legal view according to my limited knowledge of the Scriptural texts, based directly on historical commentaries of the Quran. The next day the newspaper headlines read, "Cat Says, Kill Rushdie." I was abhorred, but what could I do? I was a new Muslim. If you ask a Bible student to quote the legal punishment of a person who commits blasphemy in the Bible, he would be dishonest if he didnt mention Leviticus 24:16."
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"Rhymer, brawler, and musician, Famed for his lunar expedition, And the unnumbered duels he fought, — And lover also, — by interposition! — Here lies Hercule Savinien De Cyrano de Bergerac, Who was everything, yet was naught. I cry you pardon, but I may not stay; See, the moon-ray that comes to call me hence! I would not bid you mourn less faithfully That good, brave Christian: I would only ask That when my body shall be cold in clay You wear those sable mourning weeds for two, And mourn awhile for me, in mourning him."
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