Who has sent this new serpent into our ruinous garden, already too fou — Thomas Pynchon

"Out and down in the colonies, life can be indulged, life and sensuality in all its forms, with no harm done to the Metropolis, nothing to soil those cathedrals, white marble statues, noble thoughts."

"You don’t understand,” getting mad. “You guys, you’re like Puritans are about the Bible. So hung up with words, words. You know where that play exists, not in that file cabinet, not in any paperback you’re looking for, but—” a hand emerged from the veil of shower-steam to indicate his suspended head—“in here. That’s what I’m for. To give the spirit flesh. The words, who cares? They’re rote noises to hold line bashes with, to get past the bone barrier around an actor’s memory, right? But the reality is in this head. Mine. I’m the projector at the planetarium, all the closed little universe visible in the circle of that stage is coming out of my mouth, eyes, sometimes other orifices also."

"In Mexico City they somehow wandered into an exhibition of paintings by the beautiful Spanish exile Remedios Varo: in the central painting of a triptych, titled “Bordando el Manto Terrestre,” were a number of frail girls with heart-shaped faces, huge eyes, spun-gold hair, prisoners in the top room of a circular tower, embroidering a kind of tapestry which spilled out the slit windows and into a void, seeking hopelessly to fill the void: for all the other buildings and creatures, all the waves, ships and forests of the earth were contained in the tapestry, and the tapestry was the world."

"She has turned her face, more than once, to the Outer Radiance and simply seen nothing there. And so each time taken a little more of the Zero into herself. It comes down to courage, at worst an amount of self-deluding thats vanishingly small: he has to admire it, even if he cant accept her glassy wastes, her appeals to a day not of wrath but of final indifference...."

"Why should things be easy to understand?"

"“I came," she said, "hoping you could talk me out of a fantasy. "Cherish it!" cried Hilarious, fiercely. "What else do any of you have? Hold it tightly by its little tentacle, dont let the Freudians coax it away or the pharmacists poison it out of you. Whatever it is, hold it dear, for when you lose it you go over by that much to the others. You begin to cease to be.”"

"Yeah, there was a period in the late 80s where I was working with different shaman. Myself and a friend, Beene, would take ayahuasca - but it wouldnt be in the liquid form, it would be a freeze-dried pill - and mushrooms. Some of those trips were eighteen hours long and Ill never forget, once I ended up sitting by the bush trying to ask the flowers why they didnt like me. Its like, Why cant I be your friend? I was crawling out of my skin at that time. In my twenties I was really... I was just losing my mind."

"I confess without shame that I am tired & sick of war. Its glory is all moonshine. Even success, the most brilliant is over dead and mangled bodies […] It is only those who have not heard a shot, nor heard the shrills & groans of the wounded & lacerated (friend or foe) that cry aloud for more blood & more vengeance, more desolation & so help me God as a man & soldier I will not strike a foe who stands unarmed & submissive before me but will say ‘Go sin no more.’"

"Where was his boyhood now? Where was the soul that had hung back from her destiny, to brood alone upon the shame of her wounds and in her house of squalor and subterfuge to queen it in faded cerements and in wreaths that withered at the touch? Or where was he? He was alone. He was unheeded, happy and near to the wild heart of life. He was alone and young and wilful and wildhearted, alone amid a waste of wild air and brackish waters and the sea-harvest of shells and tangle and veiled grey sunlight and gayclad lightclad figures of children and girls and voices childish and girlish in the air. A girl stood before him in midstream, alone and still, gazing out to sea. She seemed like one whom magic had changed into the likeness of a strange and beautiful seabird. Her long slender bare legs were delicate as a cranes and pure save where an emerald trail of seaweed had fashioned itself as a sign upon the flesh. Her thighs, fuller and soft-hued as ivory, were bared almost to the hips, where the white fringes of her drawers were like feathering of soft white down. Her slate-blue skirts were kilted boldly about her waist and dovetailed behind her. Her bosom was as a birds, soft and slight, slight and soft as the breast of some dark-plumaged dove. But her long fair hair was girlish: and girlish, and touched with the wonder of mortal beauty, her face. She was alone and still, gazing out to sea; and when she felt his presence and the worship of his eyes her eyes turned to him in quiet sufferance of his gaze, without shame or wantonness. Long, long she suffered his gaze and then quietly withdrew her eyes from his and bent them towards the stream, gently stirring the water with her foot hither and thither. The first faint noise of gently moving water broke the silence, low and faint and whispering, faint as the bells of sleep; hither and thither, hither and thither; and a faint flame trembled on her cheek."

"[in a letter to Clarice Starling] Dear Clarice, I have followed with enthusiasm the course of your disgrace and public shaming. My own never bothered me, except for the inconvenience of being incarcerated, but you may lack perspective."

"They are shamelessly copying us."

"The hearts of their families are still broken and bereaved and our people remain grief-stricken and angry. Instead of apology and remorse and judicial prosecution of those who were directly at fault in that horrifying event, Saudi rulers- with utmost shamelessness and insolence- refused to allow the formation of an international Islamic fact-finding committee."