Why is a Kennaston?" he asked himself — thus whimisically voicing a re — James Branch Cabell

"The touch of time does more than the club of Hercules."

"Actually, my favorite treatment of bad reviews is James Branch Cabell who, in the back of the 18 volume beautiful, huge collection of all of his works the Biography of Manuel, did a final section detailing what the reviewers said for each of his books. The book reviews go like this. The first 5 or 6 books, the reviews he quotes say something like: "Beautiful illustrations by the artist; such a pity about the words." Then you get to the reviews of Jurgen: A Comedy of Justice and the reviews say: "This a terrible book. It has no redeeming features; its simply awful; a major misstep." And then every single review for every book he wrote after Jurgen begins, "Well, this isnt Jurgen. Apparently the author has lost the facility with which he wrote that delightful book." So he did put this wonderful parade of the ridiculous things that the reviewers said over time. As I mentioned in the blog, the only final thing that you can say about the reviewers, is this. The same day that the Publishers Weekly review came in which said, "The road trip plot was completely aimless, but I liked the stuff in Lakeside," the Summer Book Forum book review came in which said, "The roadside stuff is amazing -- the novel only loses focus when you get to the stuff in Lakeside." ... If you actually pay any credence to it, it does make you crazy. So you just kind of smile and think, "Maybe someday Ill review all the reviewers someday." But you probably wont."

"The Silver Stallion, Jurgen, The High Place: Eighteen volumes of beautiful, worldly-wise writing by a forgotten American master. The books arent all in print, and they range all over genre (including poetry and literary criticism). Of the fantasies, The Silver Stallion, Jurgen, and The High Place are three of the most notable, each book different but united in their sly wisdom."

"The desire to write perfectly of beautiful happenings is, as the saying runs, old as the hills — and as immortal."

"Love, I take it, must look toward something not quite accessible, something not quite understood."

"Eh, Manuel, and will you re-model the world?" "Who knows?" says Manuel, in the high pride of his youth. "At all events, I do not mean to leave it unaltered."

"Dave Foley: I once shot a man just to watch him die, then I got distracted and missed it. Oh my friends tried to describe it to me, but it just isnt the same."

"I did not go to join Kurtz there and then. I did not. I remained to dream the nightmare out to the end, and to show my loyalty to Kurtz once more. Destiny. My destiny! Droll thing life is — that mysterious arrangement of merciless logic for a futile purpose. The most you can hope from it is some knowledge of yourself — that comes too late — a crop of unextinguishable regrets. I have wrestled with death. It is the most unexciting contest you can imagine. It takes place in an impalpable grayness, with nothing underfoot, with nothing around, without spectators, without clamor, without glory, without the great desire of victory, without the great fear of defeat, in a sickly atmosphere of tepid skepticism, without much belief in your own right, and still less in that of your adversary. If such is the form of ultimate wisdom, then life is a greater riddle than some of us think it to be. I was within a hairs-breadth of the last opportunity for pronouncement, and I found with humiliation that probably I would have nothing to say. This is the reason why I affirm that Kurtz was a remarkable man. He had something to say. He said it. Since I had peeped over the edge myself, I understand better the meaning of his stare, that could not see the flame of the candle, but was wide enough to embrace the whole universe, piercing enough to penetrate all the hearts that beat in the darkness. He had summed up — he had judged. The horror! He was a remarkable man. After all, this was the expression of some sort of belief; it had candor, it had conviction, it had a vibrating note of revolt in its whisper, it had the appalling face of a glimpsed truth — the strange commingling of desire and hate."

"I spoke up about the importance of sex and have been paying the price ever since. I was transphobic, I was a cunt, a bitch, a TERF, I deserved cancelling, punching and death."

"Oh Rama, here I go again! Listen to you, sounding like Death Vader. You people need cigarettes as much as this country needs another C-average President. Plus you look like a human Pez dispenser! Here are your cigarettes, and here is some gum so you can blow bubbles for that WEIRD-ASS HOLE YOU HAVE IN YOUR NECK. And here are some batteries, for your creeping-me-out machine. Now get the park out of my store! I hope I am reincarnated as a turtleneck... I like to tank you for getting that joke!"

"I also know that the shock of Annabels death consolidated the frustration of that nightmare summer, made of it a permanent obstacle to any further romance throughout the cold years of my youth. The spiritual and the physical had been blended in us with a perfection that must remain incomprehensible to the matter-of-fact, crude, standard-brained youngsters of today. Long after her death I felt her thoughts floating through mine. Long before we met we had had the same dreams. We compared notes. We found strange affinities. The same June of the same year (1919) a stray canary had fluttered into her house and mine, in two widely separated countries. Oh, Lolita, had you loved me thus!"

"The groans of the dying and the blanched set faces of the dead ... were enough to drive away all unwholesome feelings of exultation, and to remind one of the grim reality that war is. And even though these were the faces and the sufferings of our enemy, one had ... a deeper sense of the common humanity which knows no racial distinctions."