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"There are people out there who’d rather be tools than people."
"Word got around. It does that. A city like London was always going to be a paradox, it’s so very riddled with the opposite, so Swiss-cheesed with moral holes. All those alternative pathways to the official ones and to those that made Londoners proud: there’d be quite contrary tendencies. There, there was no state worth shit, no sanctions but self-help, no homeostasis but that of violence. The specialist police dipped in, and were tolerated as a sect or offhandedly killed like the cack-handed anthropologists. “Oh, here we go, FSRC again,” wink wink stab stab. Even absent a sovereign, things in London chugged on effectively. Might made right, and that was no moral precept but a statement of simple fact. It really was law, this law enforced by bouncers, bruisers and bounty hunters, venal suburban shoguns. Absolutely Fanny Adams to do with justice. Have your opinions about that, by all means—London had its social bandits—but that was fact."

China Tom Miéville is a British speculative fiction writer and literary critic. He often describes his work as "weird fiction", and is allied to the loosely associated movement of writers called New Weird.
"There are people out there who’d rather be tools than people."
"I want to know everything, he says."
"Judah knows the trow will be eradicated and their homes lost to history, but he will not be party to it, and he has tried to stand in its way."
"How is it appropriate to feel? she thought. Only humans dread. Dread is appropriate to nothing. It’s the surplus of animal fear, it’s never indicated, it’s nothing but itself."
"Why wouldn’t the gods of the world be giant squid? What better beast? It wouldn’t take much to imagine those tentacles closing around the world, now would it?"
"The chief was a thuggish man: nervous, Cutter saw, because he knew he was a mediocrity become by kink of history a ruler."