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Abstract Expressionism – especially Pollock, not the more academic pai — Kenneth Noland

"Abstract Expressionism – especially Pollock, not the more academic painters like De Kooning – made the threshold between illusion and the stuff of painting lower, the distance between them closer. Pollock made all things about the picture, all the stuff, actual. Taking the canvas off the stretcher, putting it on the floor, made it more real. Mixing up different kinds of paint, getting it to stain in, was getting at a kind of materiality."
Kenneth Noland
Kenneth Noland
Kenneth Noland
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Kenneth Noland was an American painter. He was one of the best-known American color field painters, although in the 1950s he was thought of as an abstract expressionist and in the early 1960s as a minimalist painter. Noland helped establish the Washington Color School movement. In 1977, he was honored with a major retrospective at the Solomon R. Guggenheim Museum in New York that then traveled to

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"Tony Cairo [English abstract sculptor] and I tried to collaborate at several points and it hasnt been successful. As a matter of fact, recently Tony has made sculpture that I have painted. He has to make the sculpture before I can paint it. That means that the form is taking precedence – that the material takes precedence as a form, rather than color establishing the form. Its not going to well but Im working on it. Theres something about color that is so abstract that it is difficult for it to function in conjunction with solid form.. .Color has properties of weight, density, transparency, and so forth. And when it also has to be compatible with things that have an actual density, a given form, its very difficult."
Kenneth NolandKenneth Noland