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"A terrible thing has happened to me: I believe I am finding God."
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Albert GleizesAll the constructions of this first phase of the youth of the group be — Albert Gleizes
"All the constructions of this first phase of the youth of the group bear witness to its constant characteristics. The epic imagination is a proof of its esemplastic power. Everything is formal, inventive and arithmetical, therefore rhythmic."
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Albert Gleizes
Albert Gleizes
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Albert Gleizes was a French artist, theoretician, philosopher, a self-proclaimed founder of Cubism and an influence on the School of Paris. Albert Gleizes and Jean Metzinger wrote the first major treatise on Cubism, Du "Cubisme", 1912. Gleizes was a founding member of the Section d'Or group of artists. He was also a member of Der Sturm, and his many theoretical writings were originally most apprec
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"People crowded into our room, they shouted, they laughed, they got worked up, they protested, they luxuriated in all kinds of utterances."
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Albert GleizesQuote
"We laugh out loud when we think of all the novices who expiate their literal understanding of the remarks of a cubist and their faith in absolute truth by laboriously placing side by side the six faces of a cube and both ears of a model seen in profile."
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Albert GleizesQuote
"Some maintain that such a tendency distorts the curve of tradition. Do they derive their arguments from the future or the past? The future does not belong to them, as far as we are aware, and one be singularly ingenuous to seek to measure that which exists by that which exists no longer."
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Albert GleizesQuote
"Unless we are to condemn all modern painting, we must regard cubism as legitimate, for it continues modern methods, and we should see in it the only conception of pictorial art now possible. In other words, at this moment cubism is painting."
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Albert GleizesQuote
"Let the picture imitate nothing; let it nakedly present its raison dêtre. We should indeed be ungrateful were we to deplore the absence of all those things flowers, or landscape, or faces whose mere reflection it might have been. Nevertheless, let us admit that the reminiscence of natural forms cannot be absolutely banished; not yet, at all events. An art cannot be raised to the level of a pure effusion at the first step."
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Albert Gleizes