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"Φίλοι, κακῶν μὲν ὅστις ἔμπειρος κυρεῖ, ἐπίσταται βροτοῖσιν ὡς, ὅταν κλύδων κακῶν ἐπέλθῃ, πάντα δειμαίνειν φίλον, ὅταν δ᾽ ὁ δαίμων εὐροῇ, πεποιθέναι τὸν αὐτὸν αἰὲν ἄνεμον οὐριεῖν τύχας."
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AeschylusἜστι· θεοῦ δ᾽ ἔτ᾽ ἰσχὺς καθυπερτέρα· — Aeschylus
"Ἔστι· θεοῦ δ᾽ ἔτ᾽ ἰσχὺς καθυπερτέρα· πολλάκι δ᾽ ἐν κακοῖσι τὸν ἀμάχανον κἀκ χαλεπᾶς δύας ὕπερθ᾽ ὀμμάτων κρημναμενᾶν νεφελᾶν ὀρθοῖ."
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Aeschylus
Aeschylus
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Aeschylus was an ancient Greek tragedian often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with
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"Chorus: Let not thy love to man oerleap the bounds Of reason, nor neglect thy wretched state: So my fond hope suggests thou shalt be free From these base chains, nor less in power than Jove."
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"I regard the Oresteia as probably on the whole the greatest spiritual work of man."
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"Aeschylus is not impersonal but transpersonal, a believer in fate and moral responsibility at the same time."
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"Appearances are a glimpse of the unseen."
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AeschylusQuote
"εὐθυδίκαιοι δ᾿ οἰόμεθ᾿ εἶναι· τοὺς μὲν καθαρὰς ⟨καθαρῶς⟩ χεῖρας προνέμοντας οὔτις δ᾿ ἀλιτὼν ὥσπερ ὅδ᾿ ἁνὴρ χεῖρας φονίας ἐπικρύπτει, μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν παραγιγνόμεναι πράκτορες αἵματος αὐτῷ τελέως ἐφάνημεν."
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Aeschylus