"Finally I found a technique and a few teachers that allowed me to find my footing and I began to work more honestly and deeply as an artist. David Schermerhorn and Sandra Seacat initiated me to myself in a way and I discovered a whole new way of working that I still draw upon today as a director. I always felt something was missing, and I learned to access myself more fully and that really helped me move onto becoming a director which I love and feel fully engaged in. [...] David and Sandra taught me to use everything. Allow all things to be part of the scene and live and also to allow and embrace emotional opposites to happen. In fact, encourage them. Sometimes subtext lives here and that is treasure."
Sandra Diane Seacat was an American actress, director and acting coach best known for her innovations in acting pedagogy—blending elements of Strasberg, and Jungian dream analysis—and for a handful of coaching success stories.
"She impacted and inspired my life in ways that only God could have orchestrated. Her love for people, her love for life, her love acting let me know. As she would always tell me, "You can heal people through your work as an actor, you can inspire people through your work as an actor." And that truly made me see the higher purpose in the art that I do."
Sandra Seacat"He wanted private sessions. And he would come for privates, and he would give me a handful of cash; and I found out several years later that sometimes he wouldnt eat for two or three days in order to pay me."
Sandra Seacat"Laura was born an authentic artist, and, coming together, my job was to help her bring all of it forward and out. [...] The artist is a shaman; a wounded healer. We have wounds that we want to bring forth through the material. Its joyful, its painful, but not painful in a bad way. And when you do that, you also heal people in the audience."
Sandra Seacat"Sandra was like a fairy godmother that takes the mists away and helps you see that Meg is emboldened by material she loves."
Sandra Seacat"[Y]ou strip yourself of ego, and the whole experience unearths all your analytical feelings and self-discovery. [...] Its better than any therapy."
Sandra Seacat"My main focus while teaching is that the actor learns to fully express their own uniqueness and truth as a human being, and break through the patterns and blockages that prevent them from living fully and truthfully that part of themself that is the character, onstage or in front of the camera. We train and rehearse with very specific exercises that reveal the actor to himself and to the audience and also give the actor the courage to express who he is and to trust in himself and his instrument."
Sandra Seacat