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"A birds-eye view does not see the truth."
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Bernard MacLaverty"He succeeded in persuading her back to look at The Jewish Bride. There was a crowd gathered around it. It was huge, big as a hoarding, a great slash of browns and yellows and reds. Two figures, a man and a woman on the edge of intimacy, or perhaps just after, about to coorie in to one another. Hands. Hands everywhere. A painting about touch. Stella joined the crowd and wormed her way to the front. Gerry watched her bite her lip as she gazed. She became aware of Gerry watching her. He excused himself and threaded his way to her side. "Well?" "Theres a great tenderness in him," she said. "You can see he cherishes her." "Look at that big hand of his," Gerry said. "And the sleeve. Like a big croissant. The way hes put the paint on." "And the faces," she said. "But shes not so sure. Shy, yes. Sure, no. What sumptuous clothes." She pointed out the grooms hand around the womans shoulder and his other hand resting on her breast. The brides touch of the grooms hand."
Bernard MacLaverty is a Northern Irish fiction writer and novelist. His novels include Cal and Grace Notes. He has written five books of short stories.
"A birds-eye view does not see the truth."
"Bitter?" said the barmaid and he nodded. What a strange thing to call a drink. Bitter. Aloes. Sorrow. For something that was supposed to make you feel happy."
"Its a bad day when the biggest thing you catch is a seagull."
"Michael wondered why it was the tragic things that remained with him most vividly."
"Suddenly a police Land Rover with its hee-haw siren blaring swung into the main road behind them with a squeal of tyres. It roared along and overtook them so fast its body tilted at an angle to the chassis. Someone said, "Jesus, theyll sell no ice cream going at that speed."
"What we run here, Brother, is a finishing school for the sons of the Idle Poor." "It finishes them all right."