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I turned to Brecht and asked him why, if he felt the way he did about — Bertolt Brecht

"I turned to Brecht and asked him why, if he felt the way he did about Jerome and the other American Communists, he kept on collaborating with them, particularly in view of their apparent approval or indifference to what was happening in the Soviet Union. ... Brecht shrugged his shoulders and kept on making invidious remarks about the American Communist Party and asserted that only the Soviet Union and its Communist Party mattered. ... But I argued ... it was the Kremlin and above all Stalin himself who were responsible for the arrest and imprisonment of the opposition and their dependents. It was at this point that he said in words I have never forgotten, As for them, the more innocent they are, the more they deserve to be shot. I was so taken aback that I thought I had misheard him. What are you saying? I asked. He calmly repeated himself, The more innocent they are, the more they deserve to be shot. ... I was stunned by his words. Why? Why? I exclaimed. All he did was smile at me in a nervous sort of way. I waited, but he said nothing after I repeated my question. I got up, went into the next room, and fetched his hat and coat. When I returned, he was still sitting in his chair, holding a drink in his hand. When he saw me with his hat and coat, he looked surprised. He put his glass down, rose, and with a sickly smile took his hat and coat and left. Neither of us said a word. I never saw him again."
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Bertolt Brecht
Bertolt Brecht
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Eugen Berthold Friedrich Brecht, known as Bertolt Brecht and Bert Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote The Threepenny Opera with Elisabeth Hauptmann and Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. I

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"Engel verführt man gar nicht oder schnell. Verzieh ihn einfach in den Hauseingang Steck ihm die Zunge in den Mund und lang Ihm untern Rock, bis er sich naß macht, stell Ihm das Gesicht zur Wand, heb ihm den Rock Und fick ihn. Stöhnt er irgendwie beklommen Dann halt ihn fest und laß ihn zweimal kommen Sonst hat er dir am Ende einen Schock. Ermahn ihn, dass er gut den Hintern schwenkt Heiß ihn dir ruhig an die Hoden fassen Sag ihm, er darf sich furchtlos fallen lassen Dieweil er zwischen Erd und Himmel hängt – Doch schau ihm nicht beim Ficken ins Gesicht Und seine Flügel, Mensch, zerdrück sie nicht."
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Bertolt Brecht