I was always interested in objects as carriers of meanings beyond them — Penny Siopis

"I believe that encounters with lively matter can chasten my fantasies of human mastery, highlight the common materiality of all that is, expose a wider distribution of agency and reshape the self and its interests"

"As much as Pinky Pinky is a perpetrator of violence, it also seems a victim of, and scapegoat for, violent, uncivil actions – a constructed something to blame for social problems."

"With global warming, what do we imagine? Burning? Drowning? Absolute alterity? And what forms – or formlessnesses – do we imagine this through?"

"Many of these prosthetics are "traditionally" flesh colour, a kind of dirty pink. There is irony here, as flesh colour is not just a category of colour, but nothing less than a western conceit in which whiteness (pink) becomes the universal colour for flesh"

"Penny Siopis is one of the few artists in the world today who can weave a material web of marks, gestures, voices, words, found things and painted surfaces to entangle the brute forces of history with the delicate threads of human vulnerability"."

"The material process of the paintings is a fluid affair; the glue’s capacity to change its form and colour when it comes into contact with other forces – air, gravity, water, my gestures – imbues it with a presence that holds onto itself as ‘something other’, yet can simultaneously take on the guise of an image."