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"The highest wisdom incarnated in the poorest body. And even in straw mixed with manure: the final substances in which, by a rare miracle, the origin and strength of life emerge anew. The circle closes."
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Antoni Tàpies"It would take me very far back to tell the story of how I developed my consciousness of the evocative power of mural imagery. These are memories of my adolescence and early youth when I lived enclosed within four walls during the time of war. The suffering of the adults and all the cruel imaginings of my age, abandoned to its own impulses amid all the surrounding catastrophes, were drawn and etched all around me."
Antoni Tàpies i Puig, 1st Marquess of Tàpies was a Catalan painter, sculptor, and art theorist.
"The highest wisdom incarnated in the poorest body. And even in straw mixed with manure: the final substances in which, by a rare miracle, the origin and strength of life emerge anew. The circle closes."
"..[the walls in the city] witnessed the martyrdom and the inhumane repression inflicted on our people."
"Reminding people what in reality it is all about, giving them a theme on which to ponder, creating a shock within them, pulling them out of the delusion of non authenticity, enabling them to become aware of their true possibilities. [quote from 1976]"
"Everything takes place in an infinitely greater field than what is framed by the size of the picture or by what is materially in the picture. This matter [door/window/wall] is but a support inviting the viewer to participate in the much larger game of a thousand and one visions and feelings; it is the talisman lifting or sinking walls into the deepest recesses of our spirit, opening and at times closing windows in the construction of our impotence, our bondage, or our freedom. The subject-matter then may be found in the picture or it may exist solely inside the spectators head."
"All the walls of a city, which, by family tradition, seemed so mine, witnessed the martyrdom and the inhumane repression inflicted on our people. Cultural memories stressed its urgency. All the archaeological information I have absorbed, the advice of Leonardo da Vinci, the destruction brought about by Dada, the photographs of Brassaï, all contributed, unsurprisingly, to the fact that my first works of 1945 had something to do with street graffiti and a universe of repressed protest, clandestine yet full of life, as one could find on the walls of my country."
"For in order to be born again, you must die."