SHAWORDS

No" — I could never be another person’s father, fate, god, — Imre Kertész

"No" — I could never be another person’s father, fate, god, "No" — it should never happen to another child, what happened to me; my childhood. (Auschwitz)."
Imre Kertész
Imre Kertész
Imre Kertész
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Imre Kertész was a Hungarian author and recipient of the 2002 Nobel Prize in Literature, "for writing that upholds the fragile experience of the individual against the barbaric arbitrariness of history". He was the first Hungarian to win the Nobel in Literature. His works deal with themes of the Holocaust, dictatorship, and personal freedom.

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"Thereafter, the scenes had succeeded one another, turn and turn about, in the drama as in reality, to the point that, in the end, Kingbitter did not know what to admire more: the authors-his dead friends-crystal-clear foresight or his own, so to say, remorseful determination to identify with his prescribed role and stick to the story. Nowadays, though, with the lapse of nine years, Kingbitter was interested in something else. His story had reached an end, but he himself was still here, posing a problem for which he more and more put off finding a solution. He would either have to carry on his story, which had proved impossible, or else start a new story, which had proved equally impossible. Kingbitter undoubtedly could see solutions to hand, both better ones and worse; indeed, if he reflected more deeply, solutions were all he could see, rather than lives."
Imre KertészImre Kertész
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"The régime was overthrown, and Im not going to pretend it was me who overthrew it. A general liquidation is in full swing, and Im not going to join in. Ive become a spectator. And Im not even spectating from the front rows in the stalls but from somewhere up in the gods. Maybe Im worn out, but it could be that I never truly believed in what I believed. That would be the unseemlier alternative, because then they would have smashed my ear in for no reason at all. That is the assumption Im inclining to these days. (He breaks off and ponders, book in hand.) I did time for no reason, dragged the millstone of a police record around for no reason, was on probation for years for no reason, and Im no hero, I merely botched up my life."
Imre KertészImre Kertész
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"True, he had been living a lively interior life today: he had dreamed something, he had awoken with an erection, and while shaving he had been dogged by a feeling that today he needed to decide, though he could not see clearly what it was he needed to decide, besides which he was all too aware of his own inability to make any decisions. Despite that, the thought did cross Kingbitters mind that he ought to do something about finding a theater to do the play, the comedy (or tragedy?) "Liquidation." He was now in the ninth year of considering that. Indeed, Kingbitter was now in the ninth year of considering whether he was handling the literary estate with due diligence."
Imre KertészImre Kertész
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"To live and to write, its all the same, both together, for the pen is my spade; when I look ahead I only look back, when I stare at the paper I only see the past: she crossed that bluish green carpet as if she were crossing the sea because she wanted to talk to me, for she found out that I was "B.", author and literary translator, one of whose "works" had read, and which she definitely wanted to discuss with me, she said, and we talked and talked until we talked ourselves into bed — Good God! — and continued to talk even then, uninterrupted."
Imre KertészImre Kertész