SHAWORDS

No wonder too, for a final time, that transference is a universal pass — Ernest Becker

"No wonder too, for a final time, that transference is a universal passion. It represents a natural attempt to be healed and to be whole, through heroic self-expansion in the “other.” Transference represents the larger reality that one needs, which is why Freud and Ferenczi could already say that transference represents psychotherapy, the “self-taught attempts on the patient’s part to cure himself.” People create the reality they need in order to discover themselves. The implications of these remarks are perhaps not immediately evident, but they are immense for a theory of the transference. If transference represents the natural heroic striving for a “beyond” that gives self-validation and if people need this validation in order to live, then the psychoanalytic view of transference as simply unreal projection is destroyed. Projection is necessary and desirable for self-fulfillment. Otherwise man is overwhelmed by his loneliness and separation and negated by the very burden of his own life. As Rank so wisely saw, projection is a necessary unburdening of the individual; man cannot live closed upon himself and for himself. He must project the meaning of his life outward, the reason for it, even the blame for it. We did not create ourselves, but we are stuck with ourselves. Technically we say that transference is a distortion of reality. But now we see that this distortion has two dimensions: distortion due to the fear of life and death and distortion due to the heroic attempt to assure self-expansion and the intimate connection of one’s inner self to surrounding nature. In other words, transference reflects the whole of the human condition and raises the largest philosophical question about that condition."
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Ernest Becker
Ernest Becker
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Ernest Becker was an American cultural anthropologist and author of the 1973 Pulitzer Prize-winning book The Denial of Death.

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"What does it mean to be a self-conscious animal? The idea is ludicrous, if it is not monstrous. It means to know that one is food for worms. This is the terror: to have emerged from nothing, to have a name, consciousness of self, deep inner feelings, an excruciating inner yearning for life and self-expression—and with all this yet to die. It seems like a hoax, which is why one type of cultural man rebels openly against the idea of God. What kind of deity would create such complex and fancy worm food?"
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Ernest Becker
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"We said it is impossible for man to feel “right” in any straightforward way, and now we can see why. He can expand his self-feeling not only by Agape merger but also by the other ontological motive Eros, the urge for more life, for exciting experience, for the development of the self-powers, for developing the uniqueness of the individual creature, the impulsion to stick out of nature and shine. Life is, after all, a challenge to the creature, a fascinating opportunity to expand. Psychologically it is the urge for individuation: how do I realize my distinctive gifts, make my own contribution to the world through my own self-expansion? Now we see what we might call the ontological or creature tragedy that is so peculiar to man: If he gives in to Agape he risks failing to develop himself, his active contribution to the rest of life. If he expands Eros too much he risks cutting himself off from natural dependency, from duty to a larger creation; he pulls away from the healing power of gratitude and humility that he must naturally feel for having been created, for having been given the opportunity of life experience. Man thus has the absolute tension of the dualism. Individuation means that the human creature has to oppose itself to the rest of nature. It creates precisely the isolation that one can’t stand—and yet needs in order to develop distinctively. It creates the difference that becomes such a burden; it accents the smallness of oneself and the sticking-outness at the same time. This is natural guilt. The person experiences this as “unworthiness” or “badness” and dumb inner dissatisfaction. And the reason is realistic. Compared to the rest of nature man is not a very satisfactory creation. He is riddled with fear and powerlessness."
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Ernest Becker
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"When we are young we are often puzzled by the fact that each person we admire seems to have a different version of what life ought to be, what a good man is, how to live, and so on. If we are especially sensitive it seems more than puzzling, it is disheartening. What most people usually do is to follow one persons ideas and then anothers, depending on who looms largest on ones horizon at the time. The one with the deepest voice, the strongest appearance, the most authority and success, is usually the one who gets our momentary allegiance; and we try to pattern our ideals after him. But as life goes on we get a perspective on this, and all these different versions of truth become a little pathetic. Each person thinks that he has the formula for triumphing over lifes limitations and knows with authority what it means to be a man, and he usually tries to win a following for his particular patent. Today we know that people try so hard to win converts for their point of view because it is more than merely an outlook on life: it is an immortality formula."
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Ernest Becker
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"At first the child is amused by his anus and feces, and gaily inserts his finger into the orifice, smelling it, smearing feces on the walls, playing games of touching objects with his anus, and the like. This is a universal form of play that does the serious work of all play: it reflects the discovery and exercise of natural bodily functions; it masters an area of strangeness; it establishes power and control over the deterministic laws of the natural world; and it does all this with symbols and fancy. With anal play the child is already becoming a philosopher of the human condition. But like all philosophers he is still bound by it, and his main task in life becomes the denial of what the anus represents: that in fact, he is nothing but body so far as nature is concerned. Nature’s values are bodily values, human values are mental values, and though they take the loftiest flights they are built upon excrement, impossible without it, always brought back to it. As Montaigne put it, on the highest throne in the world man sits on his arse. Usually this epigram makes people laugh because it seems to reclaim the world from artificial pride and snobbery and to bring things back to egalitarian values. But if we push the observation even further and say men sit not only on their arse, but over a warm and fuming pile of their own excrement—the joke is no longer funny. The tragedy of man’s dualism, his ludicrous situation, becomes too real. The anus and its incomprehensible, repulsive product represents not only physical determinism and boundness, but the fate as well of all that is physical: decay and death."
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Ernest Becker
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"In man a working level of narcissism is inseparable from self-esteem, from a basic sense of self-worth. We have learned, mostly from Alfred Adler, that what man needs most is to feel secure in his self-esteem. But man is not just a blind glob of idling protoplasm, but a creature with a name who lives in a world of symbols and dreams and not merely matter. His sense of self-worth is constituted symbolically, his cherished narcissism feeds on symbols, on an abstract idea of his own worth, an idea composed of sounds, words, and images, in the air, in the mind, on paper. And this means that man’s natural yearning for organismic activity, the pleasures of incorporation and expansion, can be fed limitlessly in the domain of symbols and so into immortality. The single organism can expand into dimensions of worlds and times without moving a physical limb; it can take eternity into itself even as it gaspingly dies."
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Ernest Becker