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Object in/ and space – the first impulse may be to give the object – a — John Cage

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"Object in/ and space – the first impulse may be to give the object – a position – to place the object. (The object had a position to begin with.) Next – to change the position of the object. – Rauschenbergs early sculptures – A board with some rocks on it. The rocks can be anywhere on the board. - Cages Japanese rock garden – The rocks can be anywhere [within the garden].."
John Cage
John Cage
John Cage
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John Milton Cage Jr. was an American composer, artist, and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly t

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"I met Cummingham around 1953 after a performance I saw. He was teaching and making dances for his company and was already working with John Cage. What interested me initially wasnt just the movement but also the music he worked with, which was unfamiliar to me.. .Later Bob Rauschenberg had been doing sets and costumes for the Cunningham Company.. .I cant say exactly how, but for a period of time, Cage, Cunningham, Rauschenberg, and I saw each other frequently and exchanged ideas. John [Cage] was very interested in presenting his ideas to other people, so it was impossible to be around and not to learn.. .He could apply his ideas on space and time to painting, or music or architecture.. ..I dont have a clear sense of cause and effect in my painting, but it is probably there."
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"David Tudor and I went to Hilversum in Holland to make a recording for the Dutch radio. We arrived at the studio early and there was some delay. To pass the time, we chatted with the engineer who was to work with us. He asked me what kind of music he was about to record. Since he was a Dutchman I said, It may remind you of the work of Mondrian. When the session was finished and the three of us were leaving the studio, I asked the engineer what he thought of the music we had played. He said, It reminded me of the work of Mondrian."
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