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Putting it into the mildest terms, Alien 3 was an omnishambles. Armed — Alien 3

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"Putting it into the mildest terms, Alien 3 was an omnishambles. Armed with a trailer and a release date, 20th Century Fox didn’t know what the movie was going to be about, but knew it was going to come out in 1992. A film that had already seen several writers and directors come and go, with just as many concepts making their way through the revolving door, the resulting story came partially from re-writes done by David Fincher himself. In the end, no one would know just how the experience would turn out, as a pretty impressive, yet misleading, teaser promised quite a bit: Through his trial by fire on Alien 3, David Fincher emerged as a directorial phoenix, and went on to make Seven as his next feature film. Understanding that writers and directors literally need to be on the same page, the lessons learned from his own career and also from reading his father’s script, Fincher understood that no person is an island in the movie business. If only the Fox executives that trashed his version of Alien 3 could have learned that back in 1991, maybe wed be talking about the "absolute classic" Alien 3, rather than the very expertly crafted euphemism that David Fincher used to describe what was essentially, a living hell."
Alien 3
Alien 3
Alien 3
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Alien 3 (stylized as ALIEN3) is a 1992 American science fiction horror film directed by David Fincher and written by David Giler, Walter Hill, and Larry Ferguson, from a story by Vincent Ward. Starring Sigourney Weaver reprising her role as Ellen Ripley, it is the third installment of the Alien franchise.

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"Alien3 is hopeless, scarfed in a rusty gloom thats light years away from the sheen of a good blockbuster; no wonder that American audiences soon learnt to stay away. It reads like a suicide note, a pulp version of Celine: Id rather be nothing, or I need you to kill me . . . Im dead anyway. All three movies have been dank and dour, of course, and that is their triumph. After years of brushed chrome and spacious command rooms, along came Alien, and soon the lights were going out all over space. It was the first film to suggest that a spaceship was just that, a ship in space - a wet, primitive hulk, cavernous yet cramped, with all manner of malevolence shivering behind its timbers. The new film keeps up the claustrophobia but turns it inwards, too, putting the squeeze on the souls of the inhabitants and wringing the fight out of them."
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