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Steppenwolf threw me a quick look, a look which criticized both the wo — Steppenwolf

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"Steppenwolf threw me a quick look, a look which criticized both the words and the speaker of them—an unforgettable and frightful look which spoke volumes! It was a look that did not simply criticize the lecturer, annihilating the famous man with its delicate but crushing irony. That was the least of it. It was more sad than ironical; it was indeed utterly and hopelessly sad; it conveyed a quiet despair, born partly of conviction, partly of a mode of thought which had become habitual with him. This despair of his not only unmasked the conceited lecturer and dismissed with its irony the matter at hand, the expectant attitude of the public, the somewhat presumptuous title under which the lecture was announced—no, the Steppenwolf’s look pierced our whole epoch, its whole overwrought activity, the whole surge and strife, the whole vanity, the whole superficial play of a shallow, opinionated intellectuality. And alas! the look went still deeper, went far below the faults, defects and hopelessness of our time, our intellect, our culture alone. It went right to the heart of all humanity, it bespoke eloquently in a single second the whole despair of a thinker, of one who knew the full worth and meaning of man’s life. It said: See what monkeys we are! Look, such is man! and at once all renown, all intelligence, all the attainments of the spirit, all progress towards the sublime, the great and the enduring in man fell away and became a monkey’s trick!"
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Steppenwolf
Steppenwolf
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"Why was it, do you think, I was able to recognize you and understand you? … Because it’s the same for me as for you, because I am alone exactly as you are, because I’m as little fond of life and men and myself as you are and can put up with them as little. There are always a few such people who demand the utmost of life and yet cannot come to terms with its stupidity and crudeness. … You are surprised that I should be unhappy when I can dance and am so sure of myself in the superficial things of life. And I, my friend, am surprised that you are so disillusioned with life when you are at home with the very things in it that are the deepest and most beautiful, spirit, art, and thought! That is why we were drawn to one another and why we are brother and sister. I am going to teach you to dance and play and smile, and still not be happy. And you are going to teach me to think and to know and yet not be happy."
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"With our Steppenwolf it was so that in his conscious life he lived now as a wolf, now as a man, as indeed the case is with all mixed beings. But, when he was a wolf, the man in him lay in ambush, ever on the watch to interfere and condemn, while at those times that he was a man the wolf did just the same. For example, if Harry, as man, had a beautiful thought, felt a fine and noble emotion, or performed a so-called good act, then the wolf bared his teeth at him and laughed and showed him with bitter scorn how laughable this whole pantomime was in the eyes of a beast, of a wolf who knew well enough in his heart what suited him, namely, to trot alone over the Steppes and now and then to gorge himself with blood or to pursue a female wolf. Then, wolfishly seen, all human activities became horribly absurd and misplaced, stupid and vain. But it was exactly the same when Harry felt and behaved as a wolf and showed others his teeth and felt hatred and enmity against all human beings and their lying and degenerate manners and customs. For then the human part of him lay in ambush and watched the wolf, called him brute and beast, and spoiled and embittered for him all pleasure in his simple and healthy and wild wolf’s being."
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"Just as I dress and go out to visit the professor and exchange a few more or less insincere compliments with him, without really wanting to at all, so it is with the majority of men day by day and hour by hour in their daily lives and affairs. Without really wanting to at all, they pay calls and carry on conversations, sit out their hours at desks and on office chairs; and it is all compulsory, mechanical and against the grain, and it could all be done or left undone just as well by machines; and indeed it is this never-ceasing machinery that prevents their being, like me, the critics of their own lives and recognizing the stupidity and shallowness, the hopeless tragedy and waste of the lives they lead. ... Let no one think that I blame other men, though now and then in these pages I scorn and even deride them, or that I accuse them of the responsibility of my personal misery. But now that I have come so far, and standing as I do on the extreme verge of life where the ground falls away before me into bottomless darkness, I should do wrong and I should lie if I pretended to myself or to others that that machine still revolved for me and that I was still obedient to the eternal child’s play of that charming world."
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"Do you think I can’t understand your horror of the fox trot, your dislike of bars and dancing floors, your loathing of jazz and the rest of it? I understand it only too well, and your dislike of politics as well, your despondence over the chatter and irresponsible antics of the parties and the press, your despair over the war, the one that has been and the one that is to be, over all that people nowadays think, read and build, over the music they play, the celebrations they hold, the education they carry on. You are right, Steppenwolf, right a thousand times over, and yet you must go to the wall. You are much too exacting and hungry for this simple, easygoing and easily contented world of today. You have a dimension too many. Whoever wants to live and enjoy his life today must not be like you and me. Whoever wants music instead of noise, joy instead of pleasure, soul instead of gold, creative work instead of business, passion instead of foolery, finds no home in this trivial world of ours."
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"“This morning I came on a passage in Novalis. … ‘Most men will not swim before they are able to.’ Is not that witty? Naturally, they won’t swim! They are born for the solid earth, not for the water. And naturally they won’t think. They are made for life, not for thought. Yes, and he who thinks, what’s more, he who makes thought his business, he may go far in it, but he has bartered the solid earth for the water all the same, and one day he will drown.” … He was so convinced and conscious of his isolation, his swimming in the water, his uprootedness, that a glimpse now and then of the orderly daily round … acted on him as a stimulus without in the least arousing his scorn. … He actually really admired and loved our little bourgeois world as something solid and secure, as the home and peace which must ever remain far and unattainable, with no road leading from him to them."
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"These men, for whom life has no repose, live at times in their rare moments of happiness with such strength and indescribable beauty, the spray of their moment’s happiness is flung so high and dazzlingly over the wide sea of suffering, that the light of it, spreading its radiance, touches others too with its enchantment. Thus, like a precious, fleeting foam over the sea of suffering arise all those works of art, in which a single individual lifts himself for an hour so high above his personal destiny that his happiness shines like a star and appears to all who see it as something eternal and as a happiness of their own."
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