SHAWORDS

The "unknown" is often depicted in racist literature as the "darkness" — Cherríe Moraga

"The "unknown" is often depicted in racist literature as the "darkness" within a person. Similarly, sexist writers will refer to fear in the form of the vagina, calling it "the orifice of death." In contrast, it is a pleasure to read works such as Maxine Hong Kingstons Woman Warrior, where fear and alienation are described as "the white ghosts." And yet, the bulk of literature in this country reinforces the myth that what is dark and female is evil. Consequently, each of us-whether dark, female, or both-has in some way internalized this oppressive imagery. What the oppressor often succeeds in doing is simply externalizing his fears, projecting them into the bodies of women, Asians, gays, disabled folks, whoever seems most "other."
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Cherríe Moraga
Cherríe Moraga
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Cherríe L. Moraga is an influential Chicana feminist writer, activist, poet, essayist, and playwright. A prominent figure in Chicana literature and feminist theory, Moraga's work explores the intersections of gender, sexuality, race, and class, with particular emphasis on the experiences of Chicana and Indigenous women. She currently serves as Distinguished Professor in the Department of English a

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"…It’s more that the conventionality of the model makes it a domesticized view of desire and also that really what we want is the same things as heterosexuals: the nuclear family, marriage; all of these components which from a feminist perspective we’ve already critiqued. Not every lesbian is a feminist, but if every lesbian were a feminist they shouldn’t want this either, because it really contradicts a whole movement that critiqued the nuclear family and the hierarchy of the nuclear family…"
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Cherríe Moraga