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These differences in moral vision and map-making bred, In turn, confli — Anthony D. Smith

"These differences in moral vision and map-making bred, In turn, conflicting institutional needs and social policies, within the constraints of an under-developed economy and society in terms of Western standards. Though both were ‘backward-looking’, the hierarchical and theocratic Byzantine ideal with its cultural affinity to Orthodox Tsarism, lent itself to a rural and patriarchal society whose political institutions would be subordinated to the religious controls of the clergy and their supporters among the notables; their suspicions of the West would be compensated by the eastward drive inherent in the Megali Idea and its dream of a restored Byzantine empire in Anatolia and the Aegean. Whereas the Hellenic vision,"
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Anthony D. Smith
Anthony D. Smith
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Anthony David Stephen Smith was a British historical sociologist who, at the time of his death, was Professor Emeritus of Nationalism and Ethnicity at the London School of Economics. He is considered one of the founders of the interdisciplinary field of nationalism studies.

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"First, Greece: for modem Greeks, as I intimated, the future could mirror ‘the past’ past’ in more than one way, since there was a clear split in that past. One school argued for the Byzantine roots and glory of Greece. They pointed to the massive influx of Slavic immigrants in the sixth and succeeding centuries throughout the Balkans and Greece, and claimed that this had weakened the links with a decayed Hellenic (or Hellenistic— Roman) culture. What was Byzantine was essentially Orthodox Christianity only the Greek language and liturgy retained any connection with a pre-Christian past. In the Orthodox millet of the Ottoman empire, Christianity had kept a Byzantine Greek ethnic alive, as in a chrysalis, ready to be transformed under the impact of Western ideas and commercialization in the late eighteenth century.8’ For the Byzantine-Orthodox clergy and their flocks, for the notables in the Mores and Phanariots in Constantinople, this grandiose dream of a restored Byzantine empire under Greek control located the re-nascent Greek people and charted their future in the Aegean and Ionia. It also pointed the way to a restored agrarian society of peasants, notables and clergy, essentially smallholders, but led by educated Orthodox elites under the Patriarch."
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Anthony D. Smith
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"This shifted the centre of a truly Hellenic civilization to the east, to the Aegean, the Ionian littoral of Asia Minor and to Constantinople. It also meant that modem Greeks could hardly count as being of ancient Greek descent, even if this could never be ruled out.’ There is a sense in which the preceding discussion is both relevant to a sense of Greek identity, now and earlier, and irrelevant. It is relevant in so far as Greeks, now and earlier, felt that their ‘Greekness’ was a product of their descent from the ancient Greeks (or Byzantine Greeks), and that such filiations made them feel themselves to be members of one great ‘super-family’ of Greeks, shared sentiments of continuity and membership being essential to a lively sense of identity. It is irrelevant in that ethnies arc constituted, not by lines of physical descent, but by the sense of continuity, shared memory and collective destiny, i.e. by lines of cultural affinity embodied in distinctive myths, memories, symbols and values retained by a given cultural unit of population. In that sense much has been retained, and revived, from the extant heritage of ancient Greece. For, even at the time of Slavic migrations, in Ionia and especially in Constantinople, there was a growing emphasis on the Greek language, on Greek philosophy and literature, and on classical models of thought and scholarship. Such a ‘Greek revival’ was to surface again in the tenth and fourteenth centuries, as well as subsequently, providing a powerful impetus to the sense of cultural affinity with ancient Greece and its classical heritage."
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Anthony D. Smith
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"It is irrelevant in that ethnies arc constituted, not by lines of physical descent, but by the sense of continuity, shared memory and collective destiny, i.e. by lines of cultural affinity embodied in distinctive myths, memories, symbols and values retained by a given cultural unit of population. In that sense much has been retained, and revived, from the extant heritage of ancient Greece. For, even at the time of Slavic migrations, in Ionia and especially in Constantinople, there was a growing emphasis on the Greek language, on Greek philosophy and literature, and on classical models of thought and scholarship. Such a ‘Greek revival’ was to surface again in the tenth and fourteenth centuries, as well as subsequently, providing a powerful impetus to the sense of cultural affinity with ancient Greece and its classical heritage. This is not to deny for one moment either the enormous cultural changes undergone by the Greeks despite a surviving sense of common ethnicity or the cultural influence of surrounding peoples and civilizations over two thousand years. At the same time in terms of script and language, certain values, a particular environment and its nostalgia, continuous social interactions and a sense of religious and cultural difference, even exclusion, a sense of Greek identity and common sentiments of ethnicity can be said to have persisted"
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Anthony D. Smith
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"This is not to deny for one moment either the enormous cultural changes undergone by the Greeks despite a surviving sense of common ethnicity or the cultural influence of surrounding peoples and civilizations over two thousand years. At the same time in terms of script and language, certain values, a particular environment and its nostalgia, continuous social interactions, and a sense of religious and cultural difference, even exclusion, a sense of Greek identity and common sentiments of ethnicity can be said to have persisted beneath the many social and political changes of the last two thousand years"
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Anthony D. Smith
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"[A] global culture is without time. Forever pursuing an elusive present, an artificial and standardised universal culture has no historical background, no developmental rhythm, no sense of time and sequence. Contextless and timeless, this artificial global culture may quarry the past for illustrative purposes or cynically use motifs from particular pasts with eclectic caprice, but it refuses to locate itself in history. Stripped of any sense of development beyond the performative present, and alien to all ideas of "roots", the genuine global culture is fluid, ubiquitous, formless and historically shallow."
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Anthony D. Smith