Quote
"The ordinary man puts up a struggle against all that is not himself, whereas it is against himself, in a limited but all-essential field, that the artist has to battle."
A
André Malraux"Though mans feeling for the other-worldly often has recourse to solitude, solitude does not foster its development; rather, it is nourished by communion, to which the church is more propitious than the cemetery."
Georges André Malraux was a French novelist, member of the French Resistance, art theorist, and minister of cultural affairs. Malraux's novel La Condition Humaine (1933) is set during the 1927 Shanghai uprising and won the Prix Goncourt; L'Espoir arose from his experiences during the Spanish Civil War. After the Second World War he abandoned fiction and wrote several works on art history, collecte
"The ordinary man puts up a struggle against all that is not himself, whereas it is against himself, in a limited but all-essential field, that the artist has to battle."
"The present age delights in unearthing a great mans secrets; for one thing because we like to temper our admiration and also perhaps we have a vague hope of finding a clue to genius in such "revelations."
"Surely that little pseudo-gothic church on Broadway, hidden amongst the skyscrapers, is symbolic of the age! On the whole face of the globe the civilization that has conquered it has failed to build a temple or a tomb."
"Each form of the sacrosanct was regarded by members of the culture which gave rise to it as a revelation of the Truth; at Byzantium it was not a mere hypothesis that was sponsored by the majesty of the Byzantine style. To us, however, these forms make their appeal as forms alone — in other words, as they would be were they the work of a contemporary (and, since this actually is unthinkable, they affect us in a puzzling manner); or else as so many grandiose vestiges of a faith that has died out. We look at them from outside; they are still emotive, but they are no longer true. Thus we deprive them of what was their most vital element; for a religious civilization that regarded what it revered as a mere hypothesis is inconceivable."
"Our characteristic response to the mutilated statue, the bronze dug up from the earth, is revealing. It is not that we prefer time-worn bas-reliefs, or rusted statuettes as such, nor is it the vestiges of death that grip us in them, but those of life. Mutilation is the scar left by the struggle with Time, and a reminder of it — Time which is as much a part of ancient works of art as the material they are made of, and thrusts up through the fissures, from a dark underworld, where all is at once chaos and determinism."
"The West regards as truth what the Hindu regards as appearance (for if human life, in the age of Christendom, was doubtless an ordeal it was certainly truth and not illusion), and the Westerner can regard knowledge of the the universe as the supreme value, while for the Hindu the supreme value is accession to the divine Absolute.... But the most profound difference is based on the fact that the fundamental reality for the West, Christian or athiest, is death, in whatever sense it may be interpreted --- while the fundamental reality for India is the endlessness of life in the endlessness of time: Who can kill immortality?"