Whats your name? Your Turing code. What is it?" — Sprawl trilogy

"Id buy him a drink, but I dont know if Id loan him any money."

"So its entirely fair to say, and Ive said it before, that the way Neuromancer-the-novel "looks" was influenced in large part by some of the artwork I saw in Heavy Metal. I assume that this must also be true of John Carpenters Escape from New York, Ridley Scotts Blade Runner, and all other artifacts of the style sometimes dubbed "cyberpunk." Those French guys, they got their end in early."

"London was nothing like Tokyo, where the past, all that remained of it, was nurtured with a nervous care…Here it seemed the very fabric of things, as if the city were a single growth of stone and brick, uncounted strata of message and meaning, age upon age, generated over the centuries to the dictates of some now-all-but-unreadable DNA of commerce and empire."

"But Neuromancer and its two sequels are not about computers. They may pretend, at times, and often rather badly, to be about computers, but really theyre about technology in some broader sense. Personally, I suspect theyre actually about Industrial Culture; about what we do with machines, what machines do with us, and how wholly unconscious (and usually unlegislated) this process has been, is, and will be. Had I actually known a great deal (by 1981 standards) about real computing, I doubt very much I would (or could) have written Neuromancer. Perhaps it all goes to prove that there are situations (literary ones, at least) in which a little knowledge is not only a dangerous thing, but the best tool for the job at hand."

"It was raining when they got to the airport, Florida rain, pissing down warm out of a nowhere sky. [Mona Lisa] had never been to an airport before, but she knew them from the stims."

"Somewhere, very close, the laugh that wasnt laughter."