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"He presses me so closely that he will crush me, poor little girl that I am. But when he is within me, I know nothing more in the world, and they might cut off my limbs without recalling me from my ecstasy."
P
Pierre Louÿs"When he returned, I hid my face with my two hands. He said to me: "Fear nothing. Who has seen our kissing?" — "Who has seen us? The night and the moon."And the stars and the first dawn. The moon looked at her face in the lake and has told it to the water under the willows. The water of the lake has told it to the oar.And the oar has told it to the boat, and the boat to the fisher. Helas! Helas! if that were all! But the fisher has told it to a woman.The fisher has told it to a woman. My father and my mother, and my sisters, and all Hellas will know it."
Pierre-Félix Louÿs was a Belgian poet and writer, most renowned for lesbian and classical themes in some of his writings. He is known as a writer who sought to "express pagan sensuality with stylistic perfection". He was made first a Chevalier and then an Officer of the Légion d'honneur for his contributions to French literature.
"He presses me so closely that he will crush me, poor little girl that I am. But when he is within me, I know nothing more in the world, and they might cut off my limbs without recalling me from my ecstasy."
"King Pausole dispensed justice from under a cherry tree, for, he was wont to say, that tree gives just as much shade as any other, and has the advantage over the traditional oak that in the summer it bears delightful fruit."
"If, in the course of their stray amours, they conceived a son, he was brought up in the temple-enclosure in the contemplation of the perfect form and in the service of its divinity. If they were brought to bed of a daughter, the child was consecrated to the goddess.On the first day of its life, they celebrated its symbolic marriage with the son of Dionysos, and the Hierophant deflowered it herself with a little golden knife; for virginity is displeasing to Aphrodite. Later on, the little girl entered the Didascalion, a great monumental school situated behind the temple, and where the theory and practice of all the erotic arts were taught in seven stages: the use of the eyes, the embrace, the motions of the body, the secrets of the bite, of the kiss, and of glottism."
"“From the point of view of love, woman is a perfect instrument. From head to foot she is constructed, solely, marvellously, for love. She alone knows how to love. She alone knows how to be loved. Consequently, if a couple of lovers is composed of two women, it is perfect; if there is only one woman, it is only half as good; if there is no woman at all, it is purely idiotic. That is all I have to say.”"
"An enormous fig tree let fall its flat leaves and its lilac coloured fruit like a carpet over the balustrade. On the left the park was massed with its magnolias which had already lost their flowers, its shuddering eucalyptus, its squat Japanese palms, its magnificent lunar sago trees. A hedge of aloes hemmed in the dark garden and the plain stretched beyond, to the Stars."
"I will leave the bed as she has left it, unmade and rumpled, the covers wrinkled, in order that the imprint of her form may remain by the side of mine.Until to-morrow I will not go to the bath, I will not wear my clothing, and I will not comb my hair, for fear lest I efface one of her caresses.I will eat neither this morning nor this evening, and upon my lips I will put neither rouge nor powder, in order that her kisses may remain.I will leave the shades closed, and I will not open the door, for fear lest the memory she has left behind should fly away on the wind."