"When Nicholas II was crowned tsar of Russia in 1894, the country was seething with unrest. Brought up by private tutors, he had little training in the affairs of state. He was dull, reactionary, and an ineffective ruler who was easily influenced. Although revolution was slowly brewing, Russia on the surface remained a prisoner of its feudal past. In order to maintain the appearance of stability, Nicholas II engaged ina policy of suppreission and later on supported pogroms against Jews. Such anti-Semitic views were not new. Even before the assassination in 1881 of Alexander II (Nicholas II’s grandfather) the Romanov family had been convinced of p-lots against the tsar. During his own reign, Nicholas II was easily swayed by strong opinions. He veered from one plan to another depending on the advice of the most articulate in his council. His most trusted adviser was Sergei Yulievich Witte, a clever but sometimes unpopular councilor who was known to have liberal modernistic views regarded as controversial by conservatives, who dominated the court. Witte had two very resentful enemies…Gorymikine and Rachkobsky, who were associated with the secret police."
William Erwin Eisner was an American cartoonist, writer, and entrepreneur. He was one of the earliest cartoonists to work in the American comic book industry, and his series The Spirit (1940–1952) was noted for its experiments in content and form. In 1978, he popularized the term "graphic novel" with the publication of his book A Contract with God. He was an early contributor to formal comics stud
"Mathieu Golovinski was born in the Simbirsk region of Russia in 1865 during the reign of the Romanov dynasty. His family, a part of the fading Russian aristocracy, provided him with a fragile social standing. He grew up in a leisured environment typical of families of that class. His father, Basil Golobinski, died,however, when Mathieu was 10 years old."
"Born and brought up in New York City and having survived and thrived there, I carry with me a cargo of memories, some painful and some pleasant, which have remained in the hold of my mind. I have an ancient mariner’s need to share my accumulation of experience and observations. Call me, if you will, a graphic witness reporting on life, death, heartbreak and the never-ending struggle to prevail…or at least to survive."
"The tenement – the name derives from a fifteenth-century legal term for a multiple dwelling – always seemed to me a “ship afloat in concrete.” After all didn’t the building carry passengers on a voyage through life? No. 55 sat at the corner of Dropsie avenue near the elevated train, or the elevated as we called it in those days. It was a treasure house of stories that illustrated tenement life as I remembered it, stories that needed to be told before they faded from memory. Within its “railroad flats,” with rooms strung together train-like lived low-paid city employees or laborers and their turbulent families. Most were recent immigrants, intent on their own survival. They kept busy raising children and dreaming of the better lie they knew existed “uptown.” Hallways were filled with a rich stew of cooking aromas, sounds of arguments and the tinny wail from Victrolas. What community spirit there was stemmed from the common hostility of tenants to the landlord or his surrogate superintendent. Typically, the buildings tenants came and went with regularity, depending on the vagaries of their fortunes. But many remained for a lifetime, imprisoned by poverty or old age. There was no real privacy or anonymity. Everybody knew about everybody. Human dramas, both good and bad, instantly gathered witness like ants swarming around a piece of dropped food. From window to window or on the stoop below, the tenants analyzed, evaluated and critiqued each happening, following an obligatory admission that it was really none of their business."
"1934 Bern, Switzerland The Trial"
"As the story unfolds it is at 55 Dropsie Avenue where Frimme Hersh deals with God; where the street singer fails to grasp his chance for gory. It is on Dropsie Avenue where a diminutive enemy defeats the super, and Willie comes of age. It is in an alley of Dropsie Avenue where Jacob Shtarkah tries to find the meaning of life. It is also on Dropsie Avenue, finally, where I undertake the biography of the street itself, through the physical evolution of the block, the rise and fall of the tenement building at No.55 and the ethnic and social changes of the stream of occupants."
"International Jews. In violent opposition to all this sphere of Jewish effort rise the schemes of the International Jews. The adherents of this sinister confederacy are mostly men reared up among the unhappy populations of countries where Jews are persecuted on account of their race. Most, if not all, of them have forsaken the faith of their forefathers, and divorced from their minds all spiritual hopes of the next world. This movement among the Jews is not new. From the days of Spartacus-Weishaupt to those of Karl Marx, and down to Trotsky (Russia) Bela Kun (Hungary), Rosa Luxemborg (Germany) and Emma Goldman (United States), this world-wide conspiracy for the overthrow of civilization and for the reconstitution of society on the basis of arrested development, of envious malevolence, and impossible equality, has been steadily growing. It played, as a modern writer, Mrs. Webster, has so ably shown, a definitely recognizable part in the tragedy of the French Revolution. It has been the mainspring of every subversive movement during the Nineteenth Century; and now at last this band of extraordinary personalities from the underworld of the great cities of Europe and America have gripped the Russian people by the hair of their heads and have become practically the undisputed masters of that enormous empire."