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[While] we have only one life, nevertheless that one life ("that massi — John Barth

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"[While] we have only one life, nevertheless that one life ("that massive datum," John Updike calls it in his memoir Self-Consciousness) lends itself to any number of stories — and Im speaking here not of fabrications but of sincere, straightforward factual accounts. Another way to put it is that any lifes story can be told in any number of ways, depending on the tellers "handle," or angle of view, or lens. In fact, of course, the same applies to fictional characters: people made out of words in a novel or words and images on a screen."
John Barth
John Barth
John Barth
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John Simmons Barth was an American writer best known for his postmodern and metafictional fiction. His most highly regarded and influential works were published in the 1960s, and include The Sot-Weed Factor, a whimsical retelling of Maryland's colonial history; Giles Goat-Boy, a satirical fantasy in which a university is a microcosm of the Cold War world; and Lost in the Funhouse, a self-referenti

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"Marilyn Marsh, who had about had it with Spain, declared to him [the old Spanish man]: … But it redounds to your national credit, the then Missus Turner went on in effect — shed been reading up on reciprocal atrocities in the Guerra Civil — that the sunny Spanish could never be guilty of an Auschwitz, for example. In the first place, your ovens would have died, like our kitchen stove, instead of your Jews, whom youd got rid of anyhow in the sunny Fifteenth century, no? And in the second place the whole idea of extermination camps wouldve been too impersonal for your exquisite Moorish tastes. Much more agradable to push folks off a cliff one at a time into a gorgeous Mediterranean sunset, as you did near Malaga — three hundred, was it, or three thousand? Or to rape and then kill a convent-full of nuns in the manner of the saint of their choice — was that Barcelona or Valencia?"
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"A "limited imagination," as I understand it, gets things wrong. From its mere incapacity, like limited intelligence or limited physical strength, it fails to anticipate accurately and to come up with the really new or more effective idea. Never mind that even the most powerful imagination may not be literally unlimited. … In the literary sphere, limited imagination is likely to be limited to the most conventional and obvious: a mere lack of originality in the material, the form, the treatment."
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"The Tragic View of liberal education is that even at its best, … it is so necessarily, unavoidably limited that all it can attempt is to afford us some experience of, for example, informed close reading and critical thinking, and to make us aware that there remain continents of knowledge out there that one lifetime could scarcely scratch the surface of, even were we to devote it all to reading and studying — which we must not, since education comes so much from hands-on doing and experiencing as well as from reading and study."
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