Eugène Fromentin

"The things I havent seen with my own eyes are for me unknown."

"..the great Dutch school seemed to think of nothing but painting well [characterised by] the total absence of what today we call a subject."

"The art of painting is only the art of expressing the invisible by the visible. Whether its roads be great or small, they are sown with problems which it is permitted to sound for ones self as truth, but which it is well to leave in their darkness as mysteries."

"The Algerians of Fromentin are much more real Arabs than those of his artist colleagues."

"..Africa: its a magic word that lends itselfs to suppositions and sets amateur explorers to dreaming. I want to try to be at home on this bit of foreign [Arab] soil."

"..that zone of consciousness through which all artists travel mentally, before ever approaching the easel."

"Fromentin was more of a colorist with pen in hand but brush."

"What weve lost - I said in more or less these terms - is the proper interest in and taste for detail. Weve been noting that for a long time yet the loss is irremediable. In the old days man was everything. A human face was worth a poem. When nature appeared behind a human being it was a kind of backdrop taking the place of the dark background of portrait painters or the gold of the Italian primitives.. .The day when a separation took place art was diminished. It was transformed the day that the subject and the genre destroyed great painting, denaturing even landscapes."

"..an entirely original painter [ Francois Millet ], high-minded and genuinely rustic in nature, who has expressed things about the country and its inhabitants, about their toil, their melancholy, and the nobleness of their labour. He has represented them in a somewhat barbaric fashion, in a manner to which his ideas gave a more expressive force than his hand possessed. The world has been grateful for his intentions; it has recognised in his methods something of the sensibility of a Burns who was a little awkward in expression.. ..He stands out as a deep thinker."

"Interpreting the Orient through the arts would destroy it, the artistic exploitation might eventually prove as harmful as military or political adventurism."

"What motive had a Dutch painter in painting a picture? None. And notice that he never asked for one. A peasant with a drunken red nose looks at you with his heavy eye and laughs with open mouth showing his teeth, raising a jug; if it is well painted, it has its value."