Florence Stawell

"A quarter of a century ago, when the were first discovered, all scholars were struck by their likeness to the works of later Greece. Even now, when the knowledge of dissimilarities in detail has obscured for many minds this broad resemblance, no one would assert that a or is impossible."

"... At the outset we are shown the two great armies, Greek and Trojan,—both winning our sympathy,—the one fighting for honour and justice, the other for home and country. We are shown , the fair woman who is at once the cause of the war and its prize; we are shown the two kings, in his noble endurance, in his restless activity; we are shown the two champions, and , both lovable and attractive to us, sworn enemies to one another."

"Melian Stawell (1869-1936) begins life as a certain kind of outsider. Born into an elite Australian colonial family, she received great early encouragement in her education, had access to a home library, and studied at and then Cambridge. Henceforth her academic, political, and friendship base was in England, wher she wrote a great number of significant texts in classics, as well as Aristotle, the League of Nations, Women and Democracy, and in particular a work on the (1911) that is still highly regarded. Her work is in the Library of Leonard and Virginia Woolf at -, including The Growth of Intellectual Thought (1929), with reading annotations by ."

"Like several other interwar liberal internationalists, F. Melian Stawell was a classicist by training, set for an illustrious career at working simultaneously on the ancient Greeks and contemporary world order. Stawell is best known as the author of The Growth of International Thought, a book increasingly cited, if not read, as the first to use the term ‘international thought.’"

"... After Philo and Plato, it was little use to say that Christ was merely like God, and the Spirit that came to us like both. Only the thorough-going assertion of unity could satisfy the longings and quiet the doubts that had been raised."

"When the idea of Democracy first took hold of the modern world, it brought with it to many minds the demand for the . To many minds, but not to all, and this because the strongest arguments for that independence are bound up with the fundamental conceptions of the democratic ideal, and not with the secondary advantages of a democratic state, and there are always minds on whom the second have far more influence than the first. It is probably for a similar reason that the has made so little headway in Europe during the last century. For this has been a time of detailed work in legislation, rather than of far-reaching ideas."

"The last works of a great artist have always a peculiar interest, and when they are the works of his old age they often show a peculiar change. The greatest artists do not copy themselves: stereotyping is fatal to creation. For creation, it cannot be denied though frequently forgotten, is always the production of something new, and this is why so often it is neglected or scorned by contemporaries. The creative artists, though their work corresponds with experience, are always outstripping experience, stretching forward to something they have never fully known, entering fresh worlds only half realised. Beethoven, Rembrandt, Titian, Sophocles, Shakespeare, Milton, Goethe, all show this in various ways. There is something unearthly in their closing work, and at the same time they are more at peace with this earth than ever. Nor is this because the world appears less terrible to them than it did, but because they seem to discern something more which countervails the terror."