Lynn Shelton

"I want my movies to feel like you’re paratrooping into somebody’s life."

"My fascination is with relationships at their most microcosmic. The more epic, the more uninteresting the film-making becomes. It becomes about getting the perfect crane shot."

"Good drama (and comedy) often comes from the simple act of placing characters in a situation that is not usual nor comfortable for them."

"As a filmmaker, I really am most interested in humans and their deep desire to connect to each other. How do they get through their own lives? Where have I come and where am I now? And where do I want to go from here? It’s all of those humanistic questions."

"The genesis of the vast majority of my films is an actor as a muse that I want to work with. Humpday was Mark Duplass, Outside In was his brother, Jay Duplass, this movie was Marc Maron, who I’ve been really wanting to make a movie with for three and a half years. Then there’s other things, like a territory I want to explore or an element I want to return to, like improvisation, which I haven’t done since Your Sister’s Sister."