Robert Hughes

"...A column is not merely a round stick of stone: it is part of an entire symbolic system, which one cannot intuit simply by looking at it in isolation. The basic reason for studying such things is not merely technical or archivally historical but humanistic; it is to seek out the answer to what someone like Vitruvius meant by his (to us) mysterious comment that "a building should have the proportions of a man,"

"The desire to be primitive was very much a function of fin-de-siècle imperialism; it appealed to strong egos and domineering minds."

"Theres no geist like the Zeitgeist."

"If Australia had not been settled as a prison and built by convict labor, it would have been colonized by other means; that was foreordained from the moment of Cook’s landing at Botany Bay in 1770. But it would have taken half a century longer, for Georgian Britain would have found it exceptionally difficult to find settlers crazy or needy enough to go there of their own free will."

"Like most artists who have made an invention of some kind, he tends to overplay the significance of his own and goes on about it as though it were a Rosetta Stone, with whose help all representation can be rescued from one-eyed falsehood."

"The best thing fishing taught me, I think was how to be alone. Without this ability no writer can really survive or work, and there is a strong relationship between the activity of the fisherman, letting his line down into unknown depths in the hope of catching an unseen prey (which may be worth keeping, or may not) and that of a writer trolling his memory and reflections for unexpected jags and jerks of association."

"New Song rapidly accumulated a nucleus of talent, and its best-known group was Els Setze Jutges, The Sixteen Judges, whose odd-sounding name came from a phrase used as a password by Catalan patriot troops during the rising against and occupation army in 1640 during the Reapers War: "Setze jutges dun jutjat menjen fetge dun penjat" ("Sixteen judges on a tribunal eat the liver of a hanged man"). No lisping Castilian, it was believed, could pronounce this barrage of fricatives."

"In the real world, mice do exist and they generally go about their business whether we see them or not. (p. 17)"

"No original Gauguins were to be seen in Australia, for post-impressionism was officially thought to be the vulgar effusion of five-thumbed lunatics. (p. 24)"

"If the making of the series had one repeated phrase that still echoes in my head, it was not heard on the soundtrack; the inexorable voice of Lorna Pegram, the producer, muttering: "Its a clever argument, Bob dear, but what are we supposed to be looking at?" (p. 7)"

"In America, nostalgia for things is apt to set in before they go."

"With hindsight, one can perhaps see that unachievable projects were the right monuments to an ideal. Because they were not built, they could not be destroyed. (p. 92)"