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As for the director, John Ford, from my first meeting with him to the — John Ford

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"As for the director, John Ford, from my first meeting with him to the day the picture was completed I knew I was in the hands of the consummate professional. I felt safe and secure with him. If I argued a line of dialogue with him or objected to a bit of business, I can now assure you it was more to assert my ego than it was to attack him. Almost entirely throughout the film, when we clashed, it turned out he was right and I was wrong. The main point to be made is that he would sit me down and show me where I was wrong. He is a totally remarkable director and one of the few deserving a place in the Pantheon. Im told hes aging now, and cranky; well, Im aging now, and cranky, but I bet if the right script came along (and were still around to write it), John Ford and I could knock the shit out of it."
John Ford
John Ford
John Ford
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John Martin Feeney, better known as John Ford, was an American film director and producer. He is regarded as one of the most important and influential filmmakers during the Golden Age of Hollywood, and was one of the first American directors to be recognized as an auteur. In a career of more than 50 years, he directed over 130 films between 1917 and 1970, and received a record four Academy Awards

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"I only met John Ford once. On the steps of MGM one evening. We were introduced by mutual friends. People spend a lot of time comparing my work to his. Most of thats bullshit. First of all, I dont like most of his later films. I love The Informer and Grapes of Wrath and—what was that other one?—Tobacco Road. His best Western is . Fonda was sensational in that. I hated . I loved the book but I thought the movie was shit. But I suppose he didnt like much of what I did, either. I think were very different."
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"Sometimes Ford failed to grasp the meaning of a question that a European director, or American directors like Elia Kazan, Richard Brooks, , or would have had no trouble assimilating. For example: How do you direct your actors? Ford couldnt understand the rationale for such a question. It seemed truly odd to him. Not dumb--like the radio journalist who asked him about "Fantastic Ride" [La Chevauchee fantastique is the French release title of Stagecoach]--but odd, and he didnt know what to answer. Since he was physically rather intimidating, with his one eye that seemed to peer deep inside of you and his piratelike countenance, even the bold could easily get flustered."
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