I dont work for myself. I work for you. Ive fought corruption, and it — John McCain

"Here is a small idea: Why dont we see what the school lunch program is in our local schools? Why dont we see what the physical education requirements are in our local school districts? Why dont parents do that? I was appalled, and I am sure my colleagues and all Americans were, to see recently there is one State in America where one-third of the population suffers from obesity. We know what obesity does to health care costs, not to mention the lives of individuals. Why dont we also look at what has been tried and done before: an outcome treatment of patients. A patient has diabetes. You pay that provider for 6 months or a year or 2 years and say: OK, here is the amount of money, and if you keep that patient well, you will receive a reward at the end of that treatment period, rather than to pay for every single test and procedure."

"After a while, we must have thought the distance between our desks too great for either of us to hear each other clearly or that the presence of the clerk transcribing our exchange had become too distracting. And as if we had both heard some secret signal, we set down our microphones simultaneously and walked briskly to the well of the floor, where we could continue in closer quarters, and in language perhaps too…familiar…to be recorded for posterity, which, regrettably was still audible enough to be overheard by a few reporters, who were now leaning over the railing of the press gallery trying to ascertain just what the hell was going on between McCain and Kennedy. After we both were satisfied we had sufficiently impressed upon each other the particulars of proper senatorial comportment, we ended our discussion, and returned to the business that had brought us to the chamber in the first place. And, Im happy to report, we succeeded in discouraging our colleagues from continuing their intemperate argument. They both had deserted the chamber with, I was later told, for I did not notice their escape, rather puzzled if not frightened looks on their faces."

"Maybe 100. As long as Americans are not being injured or harmed or wounded or killed, its fine with me and I hope it would be fine with you if we maintain a presence in a very volatile part of the world where al-Qaeda is training, recruiting, equipping and motivating people every single day."

"I have a clear record, both publicly and privately, of saying Alito and Roberts are what we want on the Supreme Court."

"I work in Washington and I know that money corrupts. And I and a lot of other people were trying to stop that corruption. Obviously, from what weve been seeing lately, we didnt complete the job. But I would rather have a clean government than one where First Amendment rights are being respected that has become corrupt. If I had my choice, Id rather have the clean government."

"The NDAA authorizes a 1.6-percent pay raise for our troops and reauthorizes over 30 types of bonuses and special pays. The legislation restructures and enhances leave for military parents to care for a new child, and it provides stability for the families of our fallen by permanently extending the special survivor indemnity allowance. No widow should have to worry year to year that she or he may not receive the offset of the so-called widows tax. If this NDAA becomes law, he or she will never have to worry about that. The NDAA also implements the recommendations of the Department of Defense Military Justice Review Group by incorporating the Military Justice Act of 2016. The legislation modernizes the military court-martial trial and appellate practice, incorporates best practices from Federal criminal practice and procedures, and increases transparency and independent review in the military justice system. Taken together, the provisions contained in the NDAA constitute the most significant reforms to the Uniform Code of Military Justice in a generation."

"I, too, believed it was impossible to change the existing society into one that would be for the benefit of all; neither could I espouse any given ideal for society. But [...] I felt that even if one did not have an ideal vision of society, one could have one’s work to do. Whether it was successful or not was not our concern; it was enough that we believed it to be a valid work. The accomplishment of that work, I believed, was what our real life was about. Yes. I want to carry out a work of my own; for I feel that by so doing our lives are rooted in the here and now, not in some far-off ideal goal."

"Nobody should start to undertake a large project. You start with a small _trivial_ project, and you should never expect it to get large. If you do, youll just overdesign and generally think it is more important than it likely is at that stage. Or worse, you might be scared away by the sheer size of the work you envision. So start small, and think about the details. Dont think about some big picture and fancy design. If it doesnt solve some fairly immediate need, its almost certainly over-designed. And dont expect people to jump in and help you. Thats not how these things work. You need to get something half-way _useful_ first, and then others will say "hey, that _almost_ works for me", and theyll get involved in the project."

"If something seems possible, thats probably because someone is already doing it. When something seems that it cant possibly work, nobody tries it. Real innovation happens when someone tries anyway, overlooking an obvious flaw, and finds a way to make an idea work."

"Without getting complicated let me recapitulate my art training in the following way: the Academy first, the break with the Academy when I hit the Hofmann School which is Cubist. The next real break follows when I see Pollock’s work [1940-41] and once more another transition occurs.. .It was a force [Pollock’s work], a living force, the same sort of thing I responded to in Matisse, in Picasso, in Mondrian. Once more, I was hit that hard with what I saw... I began feeling the need to break with what I was doing and to approach something else."

"Well I think it [a Little Image painting] does suggest hieroglyphics of some sort. It is a preoccupation of mine from way back and every once in a while it comes into my work again. For instance in my 1968 show at the Marlborough I have a painting called Kufic, an ancient form of Arabic writing. Every once in a while I fall back to what I call my mysterious writings. I haven no idea what this is about but it runs through periods of my work."

"Action in its essence, the creative art of a writer of fiction may be compared to rescue work carried out in darkness against cross gusts of wind swaying the action of a great multitude. It is rescue work, this snatching of vanishing phases of turbulence, disguised in fair words, out of the native obscurity into a light where the struggling forms may be seen, seized upon, endowed with the only possible form of permanence in this world of relative values — the permanence of memory."