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If I understand it correctly, what means the most here is whats best f — Kramer vs. Kramer

"If I understand it correctly, what means the most here is whats best for our son. Whats best for Billy. My wife used to always say to me: Why cant a woman have the same ambitions as a man? I think youre right. And maybe Ive learned that much. But by the same token, Id like to know, what law is it that says that a woman is a better parent simply by virtue of her sex? You know, Ive had a lot of time to think about what it is it that makes somebody a good parent? You know, it has to do with constancy, it has to do with patience, it has to do with listening to him. It has to do with pretending to listen to him when you cant even listen anymore. It has to do with love, like, like, like she was saying. And I dont know where its written that it says that a woman has a corner on that market, that, that a man has any less of those emotions than a woman does."
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Kramer vs. Kramer
Kramer vs. Kramer
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Kramer vs. Kramer is a 1979 American legal drama film written and directed by Robert Benton, based on Avery Corman's 1977 novel. The film stars Dustin Hoffman, Meryl Streep, Justin Henry and Jane Alexander. It tells the story of a couple's divorce, its effect on their young son, and the subsequent evolution of their relationship and views on parenting. Kramer vs. Kramer explores the psychology and

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"Billy has a home with me. Ive made it the best I could. Its not perfect. Im not a perfect parent. Sometimes I dont have enough patience because I forget that hes a little kid. But Im there. We get up in the morning and then we eat breakfast, and he talks to me and then we go to school. And at night, we have dinner together and we talk then and I read to him. And, and we built a life together and we love each other. If you destroy that, it may be irreparable. Joanna, dont do that, please. Dont do it twice to him."
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Kramer vs. Kramer
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"For the last six months Ive been spitting blood to get this agency one of the biggest account its ever had. And at five oclock this afternoon, we got the account. At eight oclock, I am walking home with the vice president and tells me Ill be the next creative director of this department. I come through this door to share with my wife one of the five best days of my life, and she looks at me and tells me she doesnt want to live with me anymore! Cant you understand what shes done to me?"
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Kramer vs. Kramer

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"At one point a heated discussion arose over the possible interpretation of Lolita as a grandiose metaphor of the classic Europeans hopeless love for young, seductive, barbaric America. In his afterword to the novel Nabokov himself mentions this as the naive theory of one of the publishers who turned the book down. And although there cant be the slightest doubt that Nabokov did not mean to limit Lolita to that interpretation, there is no reason to exclude it as one of the novels many dimensions. The point, I felt, became obvious when one drew the line between Lolita as a delightfully frivolous story on the verge of pornography and Lolita as a literary masterpiece, the only convincing love story of our century."
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"He was obeyed, yet he inspired neither love nor fear, nor even respect. He inspired uneasiness. That was it! Uneasiness. Not a definite mistrust — just uneasiness — nothing more. You have no idea how effective such a... a... faculty can be. He had no genius for organizing, for initiative, or for order even. That was evident in such things as the deplorable state of the station. He had no learning, and no intelligence. His position had come to him — why? Perhaps because he was never ill . . . He had served three terms of three years out there . . . Because triumphant health in the general rout of constitutions is a kind of power in itself."
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