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It was as if, by denouncing their rulers, I had insulted the people, w — Albert Memmi

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"It was as if, by denouncing their rulers, I had insulted the people, which was exactly the opposite of my intent. For by illuminating these lapses, I believe, rather, that I have helped to demystify the situation. Therefore, I devoted exactly four pages to the conflict between Israel and Palestine. The subject is inexhaustible and convenient. I pointed out the deplorable situation of the Palestinians and urged the creation of a Palestinian state—something I have done for thirty years, even when no one else was willing to do so, including the Arab states (see my Juifs et Arabes [Jews and Arabs], Gallimard, 1967). But I wondered why there had been such emphasis on the conflict, with its four thousand dead—deplorable like all deaths but hardly comparable to the millions of deaths in Africa, for example. As I write this afterword, a massacre in Darfur has left thirty thousand dead and displaced close to a million people. I have suggested that such chaos has been one of the most effective pretexts for tyrants to excuse their hold on power and the state of catalepsy in which they maintain their populations."
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Albert Memmi
Albert Memmi
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Albert Memmi was a French-Tunisian writer and essayist of Tunisian Jewish origins. A prominent intellectual, his nonfiction books and novels explored his complex identity as an anti-imperialist, deeply related to his ardent Zionism. He viewed Zionism as a form of "anti-colonialism."

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"Oh yes, poverty is something to be ashamed of, and this was clear to me from the mutterings of my own parents, from their remarks about the Oukala of the Birds and their pity for the Choulam family. As for me, I despised the poor. Fraji had to pay with shame the price of his poverty and I too, if we were poor, would have to pay with my own shame. In the disorder of my awareness, I made that day a great and unhappy step forward. I noted that I too wore new clothes only rarely and was forced to receive, like Fraji, bundles that stank of mildew and dirty linen and from which all the expensive buttons had been removed. I now understood his suffering fully, the shame that I had poured forth upon him in the presence of Chouchane and the other kids. His suffering and shame were my own too; on my own shoulders I now felt the burden of the same contempt, as if I had his hair, all clammy with filth, and his eyes like the headlights of a car. I felt that I had become Fraji."
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Albert Memmi
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"If my nose had been too long that might have been fixed in a couple of weeks in a clinic, or a gangrenous arm could be amputated, but I had a heart that was defective. My misfortunes were never chance encounters, and I could not easily avoid them. The more I get to know myself, the more aware I become of this. To put an end to this state of affairs would mean putting an end to myself, to die or to go mad. My principals temporary appointment would end one day, but I would never find the solution to my problem because I am that problem."
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Albert Memmi
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"My mother tongue is the Tunisian dialect, which I speak with the proper accent of the young Moslem kids of our part of town and of the drivers of horse-trucks who were customers of our shop. The Jews of Tunis are to the Moslems what the Viennese are to other Germans: they drag out their syllables in a singsong voice and soften and make insipid the guttural speech of their Mohammedan fellow-citizens. The relatively correct intonations of my speech earned me the mockery of all: the Jews disliked my strange speech and suspected me of affectation, while the Moslems thought that I was mimicking them."
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Albert Memmi
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"In moving to this new street that we called the Passage, Mother saw an old dream of hers come true. She was now living again with all her family... All day long, whether for a pinch of pepper or a sprig of parsley, to find out what time it might be or even for no good reason at all, the whole staircase re-echoed with their various names. Actually, they derived comfort and pleasure from constantly finding each other at home, and the other tenants felt like trespassers in this hive of solidarity. After dinner every evening there was a gathering of the clan in Uncle Aroun’s flat, where a detailed post-mortem of the day’s events would take place, while everyone gossiped and munched squash seeds. Thus, each of us remained completely visible to all the others, and the whole family, by pooling its problems and its hopes, acquired a collective soul."
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Albert Memmi