"It was impossible to get a decent meal, or even snack, anywhere, burned flapjacks and vulcanized steaks being as appetizing as things got. It also quickly became evident — horribly evident — that no one in the city knew how to make coffee, as if there were some sort of stultified consensus, or even city ordinance, about never waking up."
Thomas Ruggles Pynchon Jr. is an American novelist. He is known for his dense, complex works of postmodern fiction, which are distinguished by their paranoid tone, absurd humor, and references to history, art, science, and popular culture. He is widely regarded as one of the greatest American novelists. Pynchon is notoriously reclusive. Few photographs of him have been published, and rumors about
"She has turned her face, more than once, to the Outer Radiance and simply seen nothing there. And so each time taken a little more of the Zero into herself. It comes down to courage, at worst an amount of self-deluding thats vanishingly small: he has to admire it, even if he cant accept her glassy wastes, her appeals to a day not of wrath but of final indifference...."
"You don’t understand,” getting mad. “You guys, you’re like Puritans are about the Bible. So hung up with words, words. You know where that play exists, not in that file cabinet, not in any paperback you’re looking for, but—” a hand emerged from the veil of shower-steam to indicate his suspended head—“in here. That’s what I’m for. To give the spirit flesh. The words, who cares? They’re rote noises to hold line bashes with, to get past the bone barrier around an actor’s memory, right? But the reality is in this head. Mine. I’m the projector at the planetarium, all the closed little universe visible in the circle of that stage is coming out of my mouth, eyes, sometimes other orifices also."
"“I came," she said, "hoping you could talk me out of a fantasy. "Cherish it!" cried Hilarious, fiercely. "What else do any of you have? Hold it tightly by its little tentacle, dont let the Freudians coax it away or the pharmacists poison it out of you. Whatever it is, hold it dear, for when you lose it you go over by that much to the others. You begin to cease to be.”"
"Rachel was looking into the mirror at an angle of 45°, and so had a view of the face turned toward the room and the face on the other side, reflected in the mirror; here were time and reverse-time, co-existing, cancelling one another exactly out. Were there many such reference points, scattered throughout the world, perhaps only at nodes like this room which housed a transient population of the imperfect, the dissatisfied; did real time plus virtual or mirror-time equal zero and thus serve some half-understood moral purpose? Or was it only the mirror world that counted; only a promise of a kind that the inward bow of a nose-bridge or a promontory of extra cartilage at the chin meant a reversal of ill fortune such that the world of the altered would thenceforth run on mirror-time; work and love by mirror-light and be only, till death stopped the hearts ticking (metronomes music) quietly as light ceases to vibrate, an imps dance under the centurys own chandeliers...."
"Perhaps history this century, thought Eigenvalue, is rippled with gathers in its fabric such that if we are situated, as Stencil seemed to be, at the bottom of a fold, its impossible to determine warp, woof, or pattern anywhere else. By virtue, however, of existing in one gather it is assumed there are others, compartmented off into sinuous cycles each of which had come to assume greater importance than the weave itself and destroy any continuity. Thus it is that we are charmed by the funny-looking automobiles of the 30s, the curious fashions of the 20s, the particular moral habits of our grandparents. We produce and attend musical comedies about them and are conned into a false memory, a phony nostalgia about what they were. We are accordingly lost to any sense of continuous tradition. Perhaps if we lived on a crest, things would be different. We could at least see."
"Out and down in the colonies, life can be indulged, life and sensuality in all its forms, with no harm done to the Metropolis, nothing to soil those cathedrals, white marble statues, noble thoughts."