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"Sagrada Familia...is the greatest piece of creative architecture in the last twenty-five years. It is spirit symbolised in stone!"
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Antoni Gaudí"Men may be divided into two types: men of words and men of action. The first speaks; the latter act. I am of the second group. I lack the means to express myself adequately. I would not be able to explain to anyone my artistic concepts. I have not yet concretised them. I never had time to reflect on them. My hours have been spent in my work."
Antoni Gaudí i Cornet was a Catalan architect and designer from Spain, widely known as the greatest exponent of Catalan Modernisme. Gaudí's works have a sui generis style, with most located in Barcelona, including his main work, the Sagrada Família church.
"Sagrada Familia...is the greatest piece of creative architecture in the last twenty-five years. It is spirit symbolised in stone!"
"A feature of the city which I must mention at some place in this account is the architecture of Gaudi. This I naturally found altogether extraordinary, and at one time or another I must have seen every building of his still then existing in the Catalonian capital...At that time Gaudi was little - known outside Spain, though nowadays universally recognized as one of the great pioneers of modern architecture, and his buildings, particularly the Cathedral of the Holy Family, and also the fantastic rambling park in the hilly suburbs of Barcelona, made a great impact on my imagination."
"After lunch, in sudden rain, we go to see Gaudís masterpiece - the still unfinished church of the Sagrada Familia or Holy Family. There is nothing in the world like it. It is Disney whimsicality raised to the level of soaring nobility. It is metaphysical conceit humanized with crockets and pompons. It is scrawl and mysticism, vision and fancy, an evanescent dream hammered into sempiternal solidity."
"What I saw in Barcelona – Gaudí – was the work of such strength, such faith, of an extraordinary technical capacity, manifested during a whole life of genius; of a man who carved the stones before his eyes in well thought out pattern. Gaudí is the ‘builder’ of the turn of the century, a man adept with stone, iron and brick. His glory is seen today in his country. Gaudí was a great artist; only those who move the sensitive hearts of gentle people remain. But they are mistreated in the course of their lives, misunderstood or accused of sin toward the mode of the day. Architecture’s significance is shown when there dominates evidence of lofty intentions that triumph over all the problems in the line of fire (structure, economy, technique, utility). Thanks to interior preparation, architecture is the fruit of character – just that, a manifestation of character."
"For the first time since I had been in Barcelona I went to have a look at the cathedral--a modern cathedral, and one of the most hideous buildings in the world. It has four crenellated spires exactly the shape of hock bottles. Unlike most of the churches in Barcelona it was not damaged during the revolution--it was spared because of its artistic value, people said. I think the Anarchists showed bad taste in not blowing it up when they had the chance, though they did hang a red and black banner between its spires."
"As long as you keep getting born, it’s okay to die sometimes."
"The smart way to keep people passive and obedient is to strictly limit the spectrum of acceptable opinion, but allow very lively debate within that spectrum - even encourage the more critical and dissident views. That gives people the sense that theres free thinking going on, while all the time the presuppositions of the system are being reinforced by the limits put on the range of the debate."
"History is a strange experience. The world is quite small now; but history is large and deep. Sometimes you can go much farther by sitting in your own home and reading a book of history, than by getting onto a ship or an airplane and traveling a thousand miles. When you go to Mexico City through space, you find it a sort of cross between modern Madrid and modern Chicago, with additions of its own; but if you go to Mexico City through history, back only 500 years, you will find it as distant as though it were on another planet: inhabited by cultivated barbarians, sensitive and cruel, highly organized and still in the Copper Age, a collection of startling, of unbelievable contrasts."
"As soon as a thought or word becomes a tool, one can dispense with actually ‘thinking’ it, that is, with going through the logical acts involved in verbal formulation of it. As has been pointed out, often and correctly, the advantage of mathematics—the model of all neo-positivistic thinking—lies in just this ‘intellectual economy.’ Complicated logical operations are carried out without actual performance of the intellectual acts upon which the mathematical and logical symbols are based. … Reason … becomes a fetish, a magic entity that is accepted rather than intellectually experienced."
"Our feminist culture at the present moment is completely dependent on capitalism. My grandmother was still scrubbing clothes on the back porch on a washboard!"
"A word of the faith that never balks, Here or henceforward it is all the same to me, I accept Time absolutely. It alone is without flaw, it alone rounds and completes all, That mystic baffling wonder alone completes all. (23)"