Quote
"The notion of art as the dearly purchased outcome of an immense spiritual risk, one whose cost goes up with the entry and participation of each new player in the game"
"Perhaps too much value is assigned to memory, not enough to thinking."

Susan Lee Sontag was an American writer and critic. She primarily wrote essays, but also published novels; she published her first major work, the essay "Notes on 'Camp' ", in 1964. Her best-known works include the critical works Against Interpretation (1966), On Photography (1977), Illness as Metaphor (1978) and Regarding the Pain of Others (2003), the short story "The Way We Live Now" (1986) and
"The notion of art as the dearly purchased outcome of an immense spiritual risk, one whose cost goes up with the entry and participation of each new player in the game"
"Watkins said no with the practiced brusque delivery of a man whos always been rather sparing with his yes."
"Sadomasochism has always been the furthest reach of the sexual experience: when sex becomes most purely sexual, that is, severed from personhood, from relationships, from love. It should not be surprising that it has become attached to Nazi symbolism in recent years. Never before was the relation of masters and slaves so consciously aestheticized. Sade had to make up his theater of punishment and delight from scratch, improvising the decor and costumes and blasphemous rites. Now there is a master scenario available to everyone. The color is black, the material is leather, the seduction is beauty, the justification is honesty, the aim is ecstasy, the fantasy is death."
"The truth is always something that is told, not something that is known. If there were no speaking or writing, there would be no truth about anything. There would only be what is."
"No “we” should be taken for granted when the subject is looking at other people’s pain."
"Interpretation thus presupposes a discrepancy between the clear meaning of the text and the demands of (later) readers. It seeks to resolve that discrepancy. The situation is that for some reason a text has become unacceptable; yet it cannot be discarded. Interpretation is a radical strategy for conserving an old text, which is thought too precious to repudiate, by revamping it. The interpreter, without actually erasing or rewriting the text, is altering it. But he can’t admit to doing this. He claims to be only making it intelligible, by disclosing its true meaning."