SHAWORDS

(...) the cinematographic image cannot show without questioning, witho — Julio Cabrera

"(...) the cinematographic image cannot show without questioning, without destructuring, repositioning, twisting, distorting. Cinema cannot be the pure "record of the real" that the photographic conception of cinema usually formulates (and which currents like Italian neorealism have tried to take advantage of)."
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Julio Cabrera
Julio Cabrera
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"What is meant by "ethics" in this initial context of reflection cannot be anything too complicated or strongly committed to particular ethical theories, but rather quite a basic concept that could be accepted by them all. I propose to speak of a "Fundamental Ethical Articulation" (FEA from now on) to refer to the following concept: In decisions and actions, we must take also into account the moral and sensitive interests of others and not only our own, trying not to give systematic primacy to the latter just because they are our interests."
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Julio Cabrera
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"The place of birth as an organizing center is part of the circumstances of thought, but does not exhaust them. The "from Brazil" is not only a national reference, but an existential-historical circumstance, linked to the particular configuration of the world that we make when we see it from South America and not from Ethiopia or Canada. Names like "Brazil," "Israel," or "Paris," do not allude to nations, but to organizational prospects of the world. While it makes some sense to state that in a globalized world the narrow idea of nation is diluted, it may be fallacious to say that globalization suppresses perspectives and circumstances from which this globalization is to be lived and thought."
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Julio Cabrera