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Things started to go downhill. Instead of singing about taking tea wit — Lester Bangs

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"Things started to go downhill. Instead of singing about taking tea with Mary Jane and boppin your dingus on ol Sweet Slit Annie it was Help me God I dont know the meaning of life or I believe that love is gonna cure the world of psoriasis and cancer both and Im gonna tell the people all about it 285 different ways whether you like it or not. And Why is there war well go ask the children they know everything we need to know, and Gee I sure like black folks even if my own folks dont and endless vinyl floods of drivel in similar veins. At that point I started to pack in and resort back to my good old 66 goof squat rock. I got out records like 96 Tears by Question Mark and the Mysterians, who were mysterious indeed, and re-whooped to jungle juju cackles like "Wooly Bully," which is indescribable and was recorded by a bunch of guys who drove around in a hearse wearing turbans."
Lester Bangs
Lester Bangs
Lester Bangs
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Leslie Conway "Lester" Bangs was an American music journalist and critic. He wrote for Creem and Rolling Stone magazines and was also a performing musician. The music critic Jim DeRogatis called him "America's greatest rock critic".

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"The trend toward narcissistic flair has been responsible in large part for smiting rock with the superstar virus, which revolves around the substituting of attitudes and flamboyant trappings, into which the audience can project their fantasies, for the simple desire to make music, get loose, knock the folks out or get em up dancin. Its not enough just to do those things anymore; what you must do instead if you want success on any large scale is figure a way of getting yourself associated in the audiences mind with their pieties and their sense of "community," i.e., ram it home that youre one of THEM; or, alternately, deck and bake yourself into an image configuration so blatant or outrageous that you become a culture myth."
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"By the end of the decade it had become obvious that perhaps the one constant of our variegated and strung-out peer groups was a pervasive sense of self-consciousness that sent us in grouchy packs to ugly festivals just to be together and dig ourselves and each other, as if all of this meant something greater than that we were kids who liked rock n roll and came out to have a good time, as if our very styles and trappings and drugs and jargon could be in themselves political statements for any longer than about fifteen stoned seconds, even a threat to the Mother Country! So we loved and loved and doted on ourselves and our reflections in each other even as the whole thing got out of hand and turned into mud and disaster areas and downs and death."
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