Andrea Dworkin

"one thing to talk about the redistribution of wealth. Its quite another thing to talk about the redistribution of power. Thats more what interests me."

"Pornography is used in rape—to plan it, to execute it, to choreograph it, to engender the excitement to commit the act."

"A man can be a hero if he is a scientist, or a soldier, or a drug addict, or a disc jockey, or a crummy mediocre politician. A man can be a hero because he suffers and despairs; or because he thinks logically and analytically; or because he is "sensitive"; or because he is cruel. Wealth establishes a man as a hero, and so does poverty. Virtually any circumstance in a mans life will make him a hero to some group of people and has a mythic rendering in the culture—in literature, art, theater, or the daily newspapers."

"The genius of any slave system is found in the dynamics which isolate slaves from each other, obscure the reality of a common condition, and make united rebellion against the oppressor inconceivable."

"I want to see this mens movement make a commitment to ending rape because that is the only meaningful commitment to equality. It is astonishing that in all our worlds of feminism and antisexism we never talk seriously about ending rape. Ending it. Stopping it. No more. No more rape. In the back of our minds, are we holding on to its inevitability as the last preserve of the biological? Do we think that it is always going to exist no matter what we do? All of our political actions are lies if we dont make a commitment to ending the practice of rape. This commitment has to be political. It has to be serious. It has to be systematic. It has to be public. It cant be self-indulgent."

"The common erotic project of destroying women makes it possible for men to unite into a brotherhood; this project is the only firm and trustworthy groundwork for cooperation among males and all male bonding is based on it."

"Anti-feminism is also operating whenever any political group is ready to sacrifice one group of women, one faction, some women, some kinds of women, to any element of sex-class oppression: to pornography, to rape, to battery, to economic exploitation, to reproductive exploitation, to prostitution. There are women all along the male-defined political spectrum, including both extreme ends of it, ready to sacrifice some women, usually not themselves, to the brothels or the farms. The sacrifice is profoundly anti-feminist; it is also profoundly immoral..."

"The pornographers actually use our bodies as their language. We are their speech. . . . Protecting what they say means protecting what they do to us, how they do it. It means protecting their sadism on our bodies, because that is how they write: not like a writer at all; like a torturer."

"is often a hostile act, often an exercise of power over somebody else."

"I have been asked, politely and not so politely, why I am myself. This is an accounting any woman will be called on to give if she asserts her will. In the home the question will be couched in a million cruelties, some subtle, some so egregious they rival the injuries of organized war. … It must be admitted that those who want me to account for myself are intrigued in hostile, voyeuristic ways, and their projections of me are not the usual run-of-the-mill rudeness or arrogance to which writers, especially women writers, become accustomed. The work would be enough, even for the unfortunate sad sacks mentioned above. So heres the deal as I see it: I am ambitious—God knows, not for money; in most respects but not all I am honorable; and I wear overalls: kill the bitch. But the bitch is not yet ready to die. Brava, she says, alone in a small room."

"Pornography is the essential sexuality of male power: of hate, of ownership, of hierarchy; of sadism, of dominance."

"For a mother the project of raising a boy is the most fulfilling project she can hope for. She can watch him, as a child, play the games she was not allowed to play; she can invest in him her ideas, aspirations, ambitions, and values—or whatever she has left of them; she can watch her son, who came from her flesh and whose life was sustained by her work and devotion, embody her in the world. So while the project of raising a boy is fraught with ambivalence and leads inevitably to bitterness, it is the only project that allows a woman to be—to be through her son, to live through her son."