Quote
"I am a camera with its shutter open, quite passive, recording, not thinking."
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Christopher IsherwoodChristopher Isherwood
Christopher Isherwood
Christopher Isherwood was an English and American novelist, playwright, screenwriter, autobiographer, and diarist. His best-known works include Goodbye to Berlin (1939), a semi-autobiographical novel which was the basis for Cabaret (1966); A Single Man (1964), adapted into a film directed by Tom Ford in 2009; and Christopher and His Kind (1976), a memoir which "carried him into the heart of the Ga
"I am a camera with its shutter open, quite passive, recording, not thinking."
"Horror is always aware of its cause; terror never is. That is precisely what makes terror terrifying."
"It seems to me that the real clue to your sex orientation lies in your romantic feelings rather than in your sexual feelings. If you are really gay, you are able to fall in love with a man, not just enjoy having sex with him."
"The images which remained in the memory are not in themselves terrible or rigorous: they are of boot-lockers, wooden desks, lists on boards, name-tags in clothes — yes, the name pre-eminently; the name which in a sense makes you nameless, less individual rather than more so: Bradshaw-Isherwood, C.W. in its place on some alphabetical list; the cold daily, hourly reminder that you are not the unique, the loved, the household’s darling, but just one among many. I suppose that this loss of identity is really much of the painfulness which lies at the bottom of what is called Homesickness; it is not Home that one cries for but one’s home-self."
"Let me tell you something, he began, as he dropped my manuscript casually into the waste-paper-basket. The Film is a symphony. Each movement is written in a certain key. There is a note which has to be chosen and struck immediately. It is characteristic of the whole. It commands the attention. He started to describe the opening sequence. It was astounding. Everything came to life. The trees began to tremble in the evening breeze, the music was heard, the roundabouts were set in motion. And the people talked. Bergmann improvised their conversation, partly in German, partly in ridiculous English; and it was vivid and real. It was all so simple, so effective, so obvious. Why hadnt I thought of it myself?"
"If I fear anything, I fear the atmosphere of the war, the power which it gives to all the things I hate — the newspapers, the politicians, the puritans, the scoutmasters, the middle-aged merciless spinsters. I fear the way I might behave, if I were exposed to this atmosphere. I shrink from the duty of opposition. I am afraid I should be reduced to a chattering enraged monkey, screaming back hate at their hate."